Today we’d like to introduce you to Christopher Stanley.
Hi Christopher, so excited to have you on the platform. So before we get into questions about your work-life, maybe you can bring our readers up to speed on your story and how you got to where you are today?
My journey has always been shaped by music, curiosity, and a deep interest in the connection between sound, breath, and human experience. I began as a trumpet player, and over the years music grew from being a passion into a profession that has taken me into performance, audio production, and education.
As my musical career developed, I became increasingly interested not only in playing music, but in understanding how we listen, how we communicate through sound, and how music can affect our sense of presence and connection. That led me naturally into audio production and teaching. Today, I have the privilege of teaching at both Berklee College of Music and NYU, where I work with students who are developing their own voices as people.
Alongside music and education, I developed a serious practice in Yoga and meditation, which became an important part of my life and eventually another area of teaching. I began to see the parallels between playing the trumpet and contemplative practice: both are rooted in breath, attention, listening, and being fully present in the moment.
My work at Berklee College of Music and NYU’s Global Center for Academic and Spiritual Life has allowed these different parts of my life to come together in a particularly meaningful way. I can bring my experience as a musician, educator, and meditation and Yoga teacher into a space that encourages reflection, dialogue, well-being, and a deeper sense of connection.
Looking back, I don’t see these as separate careers or paths. They feel like different expressions of the same exploration—how we listen, how we breathe, how we connect, and how we become more present. That continues to guide both my teaching and my creative work today.
I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
It definitely hasn’t been a completely smooth road, and I think that is part of what has made the journey meaningful. Building the life that you want to live requires a great deal of persistence. There are many periods of uncertainty, creative challenges, and the constant need to adapt and reinvent yourself as the industries you find yourself in change radily. As an artist, you learn that progress is never linear, and that there can be a lot of patience required between one opportunity and the next.
The biggest challenges has been learning how to embrace uncertainty while continuing to have faith and trust the process. Music, teaching, and creative work all require you to put yourself out there, take risks, and remain open to change. There have been moments when I seriously questioned my decisions and what direction I was going in, but those moments ultimately pushed me to explore new dimensions of myself.
Yoga and meditation became especially important during those times. They taught me to pay attention to the present rather than becoming overwhelmed by what had happened or what might happen next. That perspective has helped me navigate the ups and downs of being a musician and educator.
Looking back, I’m grateful that the road wasn’t and still isn’t easy. Challenges encourage me to be more resilient, more adaptable, and more compassionate toward myself and in turn others. They also remind me that success isn’t necessarily about having a perfectly straight path. It’s about continuing to learn, staying curious, and to see that the only true form of failure is giving up on your dreams.
Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
As a musician, I specialize in trumpet and in the broader art of listening—how sound, breath, rhythm, and attention shape the way we experience music. As an audio producer, I’m interested in creating environments where sound can communicate with clarity, emotion, and intention. Teaching allows me to share that experience with the next generation of students pursuing many disciplines.
What I’m most proud of is being able to bring these different disciplines together. For me, playing trumpet, producing audio, teaching music and Yoga, all while practicing the process are not separate worlds. They all involve presence and awareness. That perspective has become central to everything I do.
What may set me apart is this combination of musical and contemplative practices. I approach music not simply as something we perform, but as something we experience through the whole body and mind. The breath that supports my instrument is also connected to the breath used in meditation. The deep listening required in an ensemble is closely related to mindful awareness. Those connections inform the way I teach and the way I create.
Ultimately, I’m proudest of building a career that allows me to keep learning while helping others discover their own thing.
In terms of your work and the industry, what are some of the changes you are expecting to see over the next five to ten years?
This thought can be so hard to pin down because of how much things have changed already in the past decade as well as what might change as I write this answer. The way people discover and experience music has been connected to how it’s also created. Platforms that of course invest in what they feel is the “future” of the creative act will continue to affect how music is created, recorded, edited, and distributed. It is important to witness as artist as a means to stay in touch with the world we live in, but it will always raise important and critical questions about originality, authorship, ethics, and the actual definition and process of creating something artistic.
There will definitely be an even greater appreciation for what can never be automated from a fundamental intention: human presence, emotional connection, improvisation, and creative expression. Technology has always affected the process of things and offered new worlds of creative tools, but it cannot replace the lived experience or the relationship of human to human.
Artists already have the skills and need to be more interdisciplinary and adaptable as well. The traditional idea of say, a musician having one defined role already evolved a long time ago. An artist can be a performer, producer, educator, entrepreneur, content creator, and collaborator. Really for the most part, they’re already asked to be that all at once.
The growing recognition of mindfulness, mental well-being, and embodied practices within creative and educational environments already excites me. The demands of modern life and the pressures faced by young artists make practices like meditation, Yoga, breath work, and mindful listening increasingly relevant.
The future will still be about maintaining a balance between technology and humanity because obviously tech isn’t going anywhere. We will have more tools than ever, but the real question is: What will be the moral compass guiding them?
Contact Info:
- Instagram: @stanleysounds
- Other: https://music.apple.com/us/album/nkyinkyim/1882402894








Image Credits
Daniel Randall
Fernando Cortez
Victor Bustos
