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Rising Stars: Meet Solomia Antoniv of Los Angeles

Today we’d like to introduce you to Solomia Antoniv.

Hi Solomia, please kick things off for us with an introduction to yourself and your story.
My work exists at the intersection of design, printmaking, and illustration. I specialize in creating original artworks and design assets that blend raw textures, reimagined classic fonts, and hand-drawn elements. A significant part of my process involves translating music and emotions into visual form, using techniques inspired by traditional printmaking.

Beyond illustration, I work on brand identity development, poster design, murals, and screen printing on textiles. Whether it’s a commissioned painting, an abstract collage, or a bold graphic for apparel, my goal is always to evoke a strong emotional connection through my art.

My creative journey began when I was born and took a turn I immigrated from Ukraine to America in 2008. That experience shaped my artistic voice, allowing me to weave cultural elements and patterns from my heritage into my work. The textures, folk motifs, and intricate details that I grew up with continue to influence my aesthetic, creating a fusion of old-world craftsmanship and modern storytelling.

We all face challenges, but looking back would you describe it as a relatively smooth road?
Being an artist is never a smooth road. It’s more like a bicycle path, full of twists, turns, and unexpected detours—much like the creative process itself. The great part about being on the bike is that you have the freedom to go wherever you like. You’re in total control while enjoying the beautiful views along the way. But there’s also that constant fear of not doing enough, even when you’re pushing yourself to the limit. It’s a strange paradox—feeling like you’re always striving for more, no matter how much you accomplish.

Being a multidisciplinary artist means constantly shifting gears between creative highs and burnout, between the thrill of new ideas and the pressure to deliver. I definitely loved having to reinvent myself more than once, whether that was stepping into the shoes of a tattooer, an event producer, or someone working in a corporate space while still trying to nurture my creative voice. Each chapter came with its own challenges like creative blocks, imposter syndrome, and the internal tension between self-expression and delivering a product.

But through it all, I’ve learned to appreciate the ride. The road may be uneven, but there’s beauty in the process, freedom in the turns, wisdom in the falls, and magic in the unexpected. That’s what keeps me pedaling.

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
My work lives somewhere between design, illustration, and traditional printmaking. I’m drawn to raw textures, hand-drawn lines, and classic fonts reimagined through my own lens. A lot of what I do is rooted in emotion—I pull from music, movement, and the energy around me to create visuals that feel alive, not just decorative.

What sets me apart is the range I’ve explored. I’ve created through so many different lenses—tattooing, event production, branding, murals, apparel, even corporate work. Each one gave me a new perspective, and I carry all of that into how I approach projects. I go all in. I like to connect deeply with the work, whether it’s a logo or a 20-foot wall. For me, it’s never just about aesthetics—it’s about energy, intention, and creating something that people actually feel. I always strive to create art with substance—work that holds weight, intention, and feeling.

I’m proud that my work exists off the screen. I’ve completed a number of large-scale murals, including projects for the LA Clippers, billboard work for Amazon TV shows, and visuals for bands like Twenty One Pilots, etc. I love that my work lives on people’s skin, their clothes, on streets and stages. It becomes part of moments, memories, movements—and that’s what truly inspires me the most, as well as as the people I get to work with.

Any big plans?
Looking ahead, I want to keep pushing the scale and impact of my work—bigger murals, deeper collaborations with music and fashion, and continuing to blur the line between fine art and design. I’m excited to exhibit at Camp Fluff0 in NYC on September 14th, and I’m actively reaching out to other galleries that might be interested in what I’m building. At the same time, I’ve been developing a more personal body of work, and I can’t wait to share that story with the world.

Long‑term, I’d love to help create a space where artists, music, and community collide somewhere raw, honest, and full of energy.

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