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Meet Vanessa Virag of Naga Los Angeles

Today we’d like to introduce you to Vanessa Virag.

Hi Vanessa, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
NAGA LOS ANGELES is a luxury lifestyle brand born between Los Angeles and the world.

At its heart, NAGA is about freedom — freedom in the way things are made, freedom in the way they are worn, and freedom from the usual rules of luxury.

We work with extraordinary materials sourced around the world: handwoven silks from Nepal, vintage textiles from India, artisanal fabrics from Bali, Indonesia and Mexico. Then we bring them back to Los Angeles and give them a new life through Italian leather, embroidery, unexpected details and a very distinct California attitude.

The ponchos and capes were really the beginning of NAGA, and they still carry so much of the spirit of the brand. But today NAGA is a complete universe — jewelry, denim, T-shirts, sweatshirts, hoodies, knits, relaxed separates, one-of-a-kind pieces.

What I love is the contrast.

You can wear a beautifully embroidered cape worth two thousand dollars with a pair of old jeans and a T-shirt. You can throw a poncho over an evening dress. You can mix something precious with something completely casual. Nothing has to be styled in the expected way.

That is very important to me.

Luxury should not feel stiff, overthought or too perfect. I like things with movement, character and a little attitude. There is always something effortless about NAGA, but also something raw, sensual and rock and roll.

We mix, we match, we layer. Men can wear women’s pieces, women can wear men’s pieces. Everything can cross over. I love that fluidity.

There are no rules.

The materials themselves are also part of that philosophy. Handmade textiles have variations, irregularities and imperfections, and we celebrate them. They are what give a piece its soul. Every NAGA piece has its own character and history. No two are exactly alike, and that individuality is what makes them special.

I think that is really what defines NAGA. It is not about trends or seasons. It is about creating pieces with a strong identity that people can make their own.

With the opening of our flagship at Malibu Country Mart, I’m excited to finally bring the full world of NAGA together in one place — fashion, jewelry, art, craftsmanship and California living.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
I don’t really think in terms of obstacles. I think in terms of evolution.

I work a lot, I’m very ambitious for NAGA, and I’m constantly learning. I came into fashion from the art world — as a gallerist, an artists’ agent, and also through interior design — so this wasn’t originally my industry.

But I think that distance gave me a different eye.

I’ve always been very curious and very open to listening. I ask questions, I observe, I learn from people who know more than I do. That has been essential in turning something that began as a passion into a real brand.

One major step was convincing Malibu Country Mart to believe in NAGA and give us a space. That changed the scale of everything.

But for me, the real challenge starts now.

I want to grow NAGA, take it further, expand internationally and build something with real longevity. Opening a store is one thing. Building a brand with a strong identity, a vision that can evolve without losing its soul is something else entirely.

That’s the ambition now: to grow, to stay curious, to keep learning — and to never become predictable.

Alright, so let’s switch gears a bit and talk business. What should we know?
NAGA LOS ANGELES is a luxury lifestyle brand born in Los Angeles in 2020.

At its heart, NAGA is about freedom — freedom in the way things are made, freedom in the way they are worn, and freedom from the usual rules of luxury.

We work with extraordinary materials sourced around the world: handwoven silks from Nepal, vintage textiles from India, artisanal fabrics from Bali, Indonesia and Mexico. Then we bring them back to Los Angeles and give them a new life through Italian leather, embroidery, unexpected details and a very distinct California attitude.

The ponchos and capes were really the beginning of NAGA, and they still carry so much of the spirit of the brand. But today NAGA is a complete universe — jewelry, denim, T-shirts, sweatshirts, hoodies, knits, relaxed separates, one-of-a-kind pieces.

What I love is the contrast.

You can wear a beautifully embroidered cape worth two thousand dollars with a pair of old jeans and a T-shirt. You can throw a poncho over an evening dress. You can mix something precious with something completely casual. Nothing has to be styled in the expected way.

That is very important to me.

Luxury should not feel stiff, overthought or too perfect. I like things with movement, character and a little attitude. There is always something effortless about NAGA, but also something raw, sensual and rock and roll.

We mix, we match, we layer. Men can wear women’s pieces, women can wear men’s pieces. Everything can cross over. I love that fluidity.

There are no rules.

The materials themselves are also part of that philosophy. Handmade textiles have variations, irregularities and imperfections, and we celebrate them. They are what give a piece its soul. Every NAGA piece has its own character and history. No two are exactly alike, and that individuality is what makes them special.

I think that is really what defines NAGA. It is not about trends or seasons. It is about creating pieces with a strong identity that people can make their own.

With the opening of our flagship at Malibu Country Mart, I’m excited to finally bring the full world of NAGA together in one place — fashion, jewelry, art, craftsmanship and California living.

Can you talk to us a bit about the role of luck?
For me, luck is about being open to the right moment — and having the courage to act on it.

But luck is never enough. You have to believe, work, insist, take risks and keep moving things forward, even when nothing is guaranteed. I think there is a kind of obsession behind everything meaningful — a determination to keep going until something starts to exist.

And that applies to life as much as to work. Things rarely happen exactly as planned. Sometimes a setback takes you somewhere better than you could have imagined.

I believe in doing 99% of the work, while always leaving 1% open for luck, instinct, chance and the unexpected.

Because sometimes that 1% changes everything.

Contact Info:

Woman with sunglasses looking out of a car window at a desert landscape, with rain on the window.

Woman leaning against a vintage car on a desert road with mesas in the background, wearing a striped poncho and jeans.

Multiple colorful towels hanging on a rod, in shades of red, brown, yellow, green, gray, and purple.

Colorful beaded necklace with green, blue, silver, black, and purple beads, arranged in a circular pattern on a white background.

Clothing store entrance with mannequins wearing coats, shelves with folded clothes, and chairs inside, in Naga Los Angeles.

Display of jewelry and accessories on shelves and a mannequin with scarves in a store, with framed pictures on the wall.

Clothing store window with pink and blue garments, store sign reads 'NA&GA', and a black wall lantern outside.

Woman walking on street holding a phone, palm trees and buildings in background.

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