Today we’d like to introduce you to Alina Escarcega.
Hi Alina, can you start by introducing yourself? We’d love to learn more about how you got to where you are today?
When I first arrived in Los Angeles, I came with big dreams and a tiny budget. I wanted to become a professional dancer and build my life here. But I quickly learned that the dance industry in L.A. was tightly knit, and without being part of the union and only on a tourist visa, my chances were slim. Still, I refused to let those limitations define me.
I rented a small studio in Koreatown, the only thing I liked it was because of the price and partly because it was right next to Sabores Oaxaqueños, a little corner of Mexico that made me feel close to home (shout out to Valentin and his wife that treat me like family). With free time and no connections, I started volunteering at the Consulate General of Mexico, helping with cultural events. I’d studied art my entire life and danced with Mexico’s National Folkloric Ballet, so giving back through culture just made sense.
During my five years at the Consulate, I helped organize over 400 cultural events for the Mexican diaspora, what they truly wanted to see, feel, and celebrate. We built a movie theater from scratch, sponsored by Cinépolis, the largest cinema chain in the world. I had the privilege of helping Los Tigres del Norte perform at the Hollywood Bowl, with the official poster designed by friends from Mexico City. I supported major institutions like the Getty in bringing invaluable art pieces from Mexico. Once, I even coordinated alongside my amazing colleagues the visit of President Peña Nieto at the Beverly Wilshire. All I really wanted was for him to see who Mexicans in Los Angeles truly are. Just a few days ago, I returned to that same hotel and ran into the staff who helped me pull off that challenge — a beautiful reminder that community here always comes full circle.
I met incredible local artists like John Ildefonso and the legendary Judy Baca. I collaborated with LACMA, MOLAA, Art Division in Wilshire & Rampart, and much more. One of my proudest moments was curating Maestro Francisco Toledo’s final exhibition, Las Fábulas de Esopo, translated into English, Spanish, and Zapotec. I worked on restoring a mural by David Alfaro Siqueiros at the original Chouinard Art Institute, later “CalArts” . Yes did you know there is a hidden gem in Westlake behind the kitchen of a Korean church that haven been able to be restored?
Through all of this, I learned how deeply migrant roots shape L.A.’s cultural fabric. We don’t just migrate with dreams. We bring stories, languages, food, and endless resilience.
Music became my next chapter. It was an honor to create campaigns for icons like the cantautora Susana Baca (Peru), to help an album by Julieta Venegas win a Grammy, or to push an artist from zero fans to a sold-out show. I started in music at Altafonte, a global indie distributor. My first week, I promoted a tour by Hombres G and Enanitos Verdes at the Staples Center. I panicked for a moment, then called my friends. Because if L.A. has given me anything, it’s been sisterhood.
That supportive network led me to work with Polo Molina, longtime manager of the Black Eyed Peas, who built his career empowering L.A.’s inner-city communities through music. Today, I run his regional Mexican label and its new publishing arm, continuing what drives me: to create, to amplify culture, and to build platforms for others.
Los Angeles has given me more than I could’ve dreamed of. Opportunity, community, artistic vision, and the freedom to reinvent myself again and again. The sunsets have healed me more than once. No matter where I go, even when I moved to Miami for a while, I always find myself missing what only L.A. offers: a walk through LACMA’s lawn while you listen to jazz mariachis at La Placita Olvera, a mind-bending show at the Skirball Center, the perfect meal in Thai Town, or just the best tacos in the west coast.
This city isn’t just palm trees and fame. It’s people. Real people with real dreams who carry their cultures in every step. The true stars of Los Angeles are the immigrants, the artists, visionaries, and community builders who arrive with suitcases full of dreams and leave their mark with art, language, and love.
And I’m so grateful to be part of that constellation.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
Absolutely. Like many people in Los Angeles, my biggest challenge has always been financial. The cost of living in this city is incredibly high, and there’s a lot of distance, not just physical, but sometimes emotional between opportunities and the people who need them most
Thanks – so what else should our readers know about your work and what you’re currently focused on?
I’m the General Director of a new record label called Ligas Mayores Records, where we focus on signing and developing fresh talent in the regional Mexican scene. We have a partnership with Sony Music Latin, which allows us to amplify our artists’ reach and impact. I also recently launched our own publishing company to help songwriters properly register their works and protect their rights under the right legal framework.
Before this chapter, I was a dancer and a cultural diplomat and when I’m not working, I absolutely love stand-up comedy. It keeps me grounded and reminds me not to take life too seriously.
If we knew you growing up, how would we have described you?
I’ve always been a very curious child. I’m an only child who grew up surrounded by adults and, although I had friends, I was always more interested in listening to my dad talk with my aunt or watching my mom play the piano. I loved playing alone because it meant I could create a world only I could understand.
It makes sense, I’m an Aquarius, so maybe that’s why I carry this dreamy, astral vision and a restless creativity. I loved going for walks barefoot with my dogs across the golf course, climbing trees, feeling free. I grew up between Mexico City and Guanajuato, carrying both places in me the city’s energy and the calm of the countryside.
Contact Info:
- Instagram: @mezcal_ina






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