Today we’d like to introduce you to Mohan Li.
Hi Mohan, so excited to have you with us today. What can you tell us about your story?
I grew up in an environment where discipline and order were deeply valued—both at home and at school. At first, I didn’t question it; it was simply the structure I lived within. But over time, I began to observe the beauty hidden in that structure. The quiet language of how people express themselves within constraints fascinated me.
In school, we wear uniforms, and that became my first introduction to style—not through freedom, but through subtle rebellion. Girls would roll up the hems of their pants just enough to show their ankles, creating a cleaner silhouette. Boys layered colorful hoodies under their uniform jackets—just bold enough to be seen, but not so bold as to be punished. It was like everyone was whispering their personality through these quiet adjustments.
That’s when I realized how powerful clothing can be—not just to express who you are, but to reflect the balance between individuality and social expectation. That idea has stayed with me ever since. It led me to pursue fashion design seriously, with a focus on structure, function, and storytelling through garments. My journey so far has been about understanding how identity, culture, and design all intersect, and I try to reflect that in every piece I create.
Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
It definitely hasn’t been an easy road, but I also feel like I haven’t faced my biggest challenges yet. When I was working on my first collection, one of the hardest things was constantly questioning whether my work would be understood or appreciated by a wider audience. I found myself stuck between two thoughts: Should I stay true to myself entirely, or should I consider what others might want to see?
That tension—between personal expression and broader appeal—has been one of the most persistent internal struggles I’ve had. And I think it’s not just limited to my first collection; it’s a question that will likely follow me through every collection I make in the future.
Right now, I’m still trying to find a healthy balance between those two forces. It’s an ongoing process, and I believe it will continue to be a long-term challenge. But it’s also a journey I’m willing—and even excited—to be on. That search for balance is where a lot of the meaning lies for me.
Can you tell our readers more about what you do and what you think sets you apart from others?
I’m a fashion designer, but I often see myself as more than that—sometimes even as an artist. For me, fashion is a medium to tell stories, explore identity, and express subtle emotion. While I design garments, I’m really trying to communicate something deeper through form, material, and detail.
I specialize in pattern making and garment construction. It’s the technical backbone of what I do, and I take a lot of pride in being able to bring my ideas to life with precision. I’m also passionate about embroidery—especially when it’s used to translate thoughts or graphic concepts directly onto the body. It adds another layer of storytelling, one that feels both intimate and tactile.
What I’m most proud of is that I’ve developed the ability and knowledge to turn a concept into something real—something you can touch, wear, and respond to. That moment when an abstract idea becomes a functional, wearable piece is always powerful for me.
What sets me apart, I think, is how I balance structure and emotion. My background taught me to respect discipline, but my curiosity always pushes me to explore what lies beyond the rules. That’s the space where I do my best work.
What matters most to you? Why?
What matters most to me is creating garments that are both functional and meaningful. I care deeply about the longevity of a piece—something you can wear over and over again, something that holds up through time and daily life. I think true design should support the rhythm of living, not just a moment or a trend.
At the same time, I believe a garment should carry more than just its function. It should have a spirit—whether it holds a thought, an emotion, or a subtle statement. Clothes are our second skin, and I want my work to connect with people not just practically, but emotionally. If a piece can be worn often and still move you every time you put it on, then I know I’ve done something right.
Pricing:
- Navy Embroidery Hoodie: $1800
- Blue Strip Shirt: $180
- Grey Embroidery Sweatshirt: $800
- Shoe Cover Pants with Silicone Gripper: $450
- Burgundy Double-Sided Jacket: $950
Contact Info:
- Instagram: https://www.instagram.com/done_by_e/








Image Credits
Photographer: Preston
Models: Larry, MIZU, Nat, Ray, Allen
