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Rising Stars: Meet She-Rōze of The You in I

Today we’d like to introduce you to She-Rōze of The You in I.

Hi She-Rōze, thanks for joining us today. We’d love for you to start by introducing yourself.
Most good things in hip hop start with someone sharing music that moves them. That’s how The You in I started. I met Artson through the hip hop and breakin’ community in Las Vegas. By then he already had years of records under his belt and the respect of the community. When I finally sat with his music, I thought it was powerful. So powerful that people needed to hear it. What didn’t match was his digital presence. Online, the work wasn’t showing up the way it deserved to. So I did what I always did back then. I offered to help.

Putting my skills to work for the culture has always been second nature to me. I’d built a career working for global brands and media companies, and I always found a way to put in work for the community behind the scenes. With Artson, the inspiration came easy, and somewhere between the album launch campaigns, tour dates and late nights, working together grew into something else entirely. Love, marriage and a creative partnership that’s still going strong after almost 20 years.

In 2022 I released my own debut album, We Rise, and from then on Artson and I were on stage together constantly. After every show someone would ask, “What’s the name of the group?” Our answer became a running joke: we’re together, but not like that. The question kept coming anyway. Then one day a phrase we’ve always said to each other, “you and me… me and you,” landed as something more than just the two of us. The You in I. Not just as partners in life, but reflections of each other. Not just Artson and She-Rōze, but all of us. It’s a truth so many cultures around the world seem to arrive at, echoed in phrases passed down for generations: Kapwa in the Philippines, In Lak’ech Ala K’in among the Maya, Mitakuye Oyasin for the Lakota, Ubuntu across southern Africa. Once we held this truth in our own words, there was no going back.

We had already dropped a track together, “Heavy Heart” from his Queendom album, so when we decided in early 2024 to make a full album as The You in I, it felt intuitive. Five months later I walked away from my corporate career to build a life around it, and The You in I became more than a duo. It became the name for everything we do together: the music, the artist-education work we bring into schools and communities, the business that holds it all. A vision we get to live inside every day. The transformation had been underway for years. The album gave it form. It gave it a voice.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
Smooth is not the word.

The first challenge was the album itself, because it kept expanding beyond our initial concept. Native Keyz’s beats had us on fire throughout the writing process, but then every collaborator we brought in after that opened a door we thought was already closed. From the recording sessions with Huca Bera to Bboy Wicket’s mixing, every step pushed the whole thing more cinematic, and somewhere in the interludes a sci-fi world started to surface, so we breathed life into it. When Babe Elliot came on for the artwork, exploring the visual story led us to align every track with a healing frequency, which meant going back to remix and remaster the entire record. We finished The I in You four or five times, and each time a new idea begged us to see how much further it could go. We had to learn to trust that a project can be behind by every deadline we set and still arrive exactly on time.

Then there was everything else: the chaos of our times. We launched a business as full-time artists in a shaken economy, with a political climate that’s bursting at the seams and the ground shifting under everyone at once. No safety net. No map. Just two people building a new life from scratch, betting on the work and on each other.

What’s been really clear to me over the last two years is that the outer chaos and the inner work are never two separate things. They are the same job. And the album reflected all of it in real time. We weren’t just writing about it in our songs. We were living it, and so was everyone around us.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
Our album, The I in You, released April 21, 2026. The simplest way to describe it: imagine Ghost in the Shell and Dune as a hip hop album. Boom bap rhythms wrapped in cinematic production, a sci-fi saga infused with ancient wisdom and laced in sound science. We think of it as sonic cinema. Shortly after its release, it hit #2 Most Added on the NACC, and went on to reach #14 on their Hip Hop chart, with airplay on 82 stations across 29 states, Guam and six countries.

The music is how most people discover us, but our greatest, most impactful work happens as artist educators. We design workshops, keynotes, performances and retreats that use hip hop as a tool for awareness, resilience and connection: the art of living, where creativity becomes a daily practice of self-awareness and confidence; living anthropologically, treating culture as something you honor and remake into your own legacy; building resilience, naming what’s heavy and using writing and movement to carry it differently. We’ve been co-creating these programs with the Urban Native Education Alliance in Seattle, and the Intertribal Connection Initiative and Indigenous Connections in New Mexico. These are wonderful organizations that support young people and community members moving through their own self-discovery or facing a hard season.

What I’m most proud of is that for the first time, the work and the life are the same thing. I spent over 20 years building brands for other people. Now every stage, every workshop and every song is us living what we believe in, working with partners that hold the same vision and supporting the communities we love.

Is there something surprising that you feel even people who know you might not know about?
Years of thoughtful strategy went into planning the life and careers we’ve built for ourselves, and we’re still a work in progress. With all of that experience and preparation in hand, the single most valuable thing we’ve learned is how to let go. Not of the plan, but of our grip on how it was supposed to unfold. That’s when the right people and the right opportunities started showing up. Not because we chased harder, but because we were patient and adaptable enough to let the vision lead, one small step at a time. Sometimes it feels messy AF. I’ve learned to accept that as part of the journey too.

Contact Info:

Performer with a blue cap singing into a microphone, pointing towards the camera, colorful background, stage lighting.

Performer singing into a microphone on stage with purple lighting, wearing a black outfit and headband.

Two performers on stage, one singing into a microphone, the other watching, with colorful background lighting.

Two screens display a person in a hoodie with colorful abstract background, with green lighting effects.

Event poster for Roots & Resilience Youth Fest at Butterfly Healing Center, Taos Pueblo, featuring performances and workshops, September 9th.

Two women sit at a table with audio equipment, speaking to an audience in a room with blue walls and a projector screen.

Two people sitting and talking indoors, one wearing a beige jacket and the other in a camouflage jacket and beanie, gesturing with hands.

Group of children and adults on a stage with colorful posters and balloons, indoors, smiling for a photo.

Image Credits
Rob Nice
Shawny Schaefer Neubecker
Ervin Arana
Melissa Ponder

 

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