Today we’d like to introduce you to Junru Wang.
Hi Junru, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
I started training in acrobatics in China when I was four years old. At seven, I was accepted into a military circus school, where I trained intensively in hand balancing and acrobatics. At nine, I joined Cirque du Soleil’s Dralion as a solo hand balancer and began touring internationally.
My childhood was very much shaped by training, discipline, and world travel. I eventually became a Guinness World Record holder and won Season 4 of China’s Got Talent.
When I moved to the U.S. in 2016, I went in a completely different direction and studied Film and Television Production at USC.
After graduating, I got into contemporary circus and realized that working in film production meant I could never get enough sleep or maintain a healthy lifestyle, so I decided to put film behind me and restart my circus journey.
Today, I continue to perform at a world-class level across North America and occasionally in Europe, while creating my own work that combines circus, theatre, storytelling, and performance art.
My most recent work is a one-woman show called Body as an Archive. It is deeply autobiographical, exploring my childhood, discipline, and what it means to reclaim a body that was trained from such a young age for technical excellence, as well as to reclaim my artistry.
I started this project with zero expectations back in March 2026. After premiering it at the Hollywood Fringe in June, it received six nominations and one award. Now, I’m continuing developing this piece, finding more opportunities to perform it while developing a memoir.
Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
Any cool things are challenging, or it wouldn’t be cool.
Growing up in a military circus school meant intense discipline and very high expectations from a young age.
Moving to the U.S. and starting over after USC was a crazy leap with cultural shock, rebuilding my identity and starting from scratch.
Returning to circus as an adult as a circus freelancer meant navigating job uncertainty and loneliness that comes with constant traveling.
Creating my own work has been scary but also the most rewarding.
Challenges are really what makes this whole journey fun. After overcoming every challenge, I find myself on a better place and I love it.
Appreciate you sharing that. What else should we know about what you do?
I’m a circus performer. My specialties are hand balancing and hula hoops. I’m known for my musicality and movement style with world-level techniques. I’m quite proud of my work because I know there’s very few people in the country that can do what I do, and none can do it the way I do it.
What sets me apart from others is my artistic evolution. I’ve been doing circus for 27 years. I received intensive, traditional and systematic training which built a strong technical foundation. Later, I was involved in contemporary circus where physical creativity, storytelling and emotions are added to the equation.
On top of that, the exposure of different style of circus arts and show businesses around the world also deepened my understanding of performance.
Is there a quality that you most attribute to your success?
I believe the pure passion for the stage along with the discipline and technical training I received as a kid.
Contact Info:
- Website: https://Junruwang.com
- Instagram: Junru_songzi






