Today we’d like to introduce you to Milenna Saraiva.
Hi Milenna, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I am Milenna Saraiva, a daughter of the rhythmic, sprawling pulse of São Paulo city, in Brazil. I was raised in a sanctuary of sound and color, born into a lineage of musicians and makers who didn’t just permit my dreams, they kindled them. In my youth, my language was movement; I translated my spirit first through the grace of dance and later through the high-stakes precision of gymnastics. I was a creature of discipline, an athlete who found harmony between grueling training and the quiet sanctuary of a sketchbook. With two national titles to my credit, my path seemed etched in gold until, at seventeen, a severe injury shattered that trajectory. Yet, in the silence that follows a broken dream, I found the resonance of a new one: the life of an artist.
At eighteen, I traded the familiar for the expansive horizons of Los Angeles. It was at Santa Monica College that my formal metamorphosis began. Under the guidance of the Mentor Program, I had the distinct privilege of refining my craft alongside masters like Linda Lopes, Nathan Ota, Mark Trujillo, and Ron Davis.
For fifteen years, Los Angeles was more than a city, it was a second home that embraced my evolution as fervently as I loved its light. To sustain my creative fire, I returned to my kinetic roots, working as a personal trainer and spinning instructor, utilizing the same grit and physical awareness that once fueled my life as a champion.
I was also cast in the reality television series Work Out, an experience that proved to be a masterclass in the divergence between image and identity. At the time, I was young and perhaps a bit naive, caught in the ‘smoke and mirrors’ of an industry that prioritized entertainment over authenticity. The screen projected a version of me that barely grazed the surface of who I truly was.
In 2012, I stood at a precipice. Leaving the life I had built in California was an agonizing choice, but the siren call of my heritage was undeniable. Returning to Brazil was not just a relocation, but a homecoming of the soul. To bridge the chasm between raw technique and contemporary theory, I completed my post-graduate studies in Contemporary Painting at FAAP University. Today, I am a visual artist anchored in the vibrant chaos of São Paulo, where I maintain a dedicated studio practice, translating the multifaceted nature of human identity through layered pigments and the visceral edge of art making.
Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
Starting out as an artist often felt like running a marathon while carrying the weight of a “sensible” day job. The real challenge was not just the physical exhaustion, but the mental gymnastics required to keep my creative identity alive. I had to be fiercely protective of my time, carving out hours in the early morning or the dead of night to stay at the easel. It takes a certain kind of stubborn focus to keep painting when the immediate rewards are thin, but I’ve learned that the only way to become the artist I wanted to be was to refuse to let the brush go cold, no matter how many other hats I have to wear.
Thanks – so what else should our readers know about your work and what you’re currently focused on?
My work has undergone a profound transformation. What began as tightly wrought, meticulous pencil drawings has evolved into a visceral, layered exploration of the canvas. I work with a language of texture and rich hues, integrating imagery through quick, sometimes brutal, splashes of the palette knife. By assembling, detailing, and then scraping away painterly layers, I delve into my subconscious to harness raw emotion.
I am less interested in capturing an external likeness and more focused on the abstraction of the human experience. My current series explores identity, the construction and deconstruction of the self and the inner journey, creating a portal for self-exploration rather than a mere portrait.
My practice exists in conversation with the giants of figurative painting. I find myself constantly drawing from the expressive legacies of Matisse, Bacon, and Van Gogh, while feeling a deep kinship with contemporary masters like Jenny Saville and Andrew Salgado.
Since 2002, I have consistently shared my work with global audiences. My paintings have been exhibited in private and public galleries worldwide, including the USA, Bergamont Station (LA), Los Angeles Municipal Art Gallery, and the Katzen Arts Centre (DC). Internationally I’ve shown my work at The Peach Gallery (Toronto), Tom Cox Gallery (London), and the Fondazione Campana Dei Caduti (Italy). In Brazil, São Paulo, in several art galleries including Ziv Gallery, Casa Galeria, Galeria Alma da Rua and Galeria Lar.
Beyond the gallery walls, I have been honored to complete hundreds of commissions for private collectors and corporate partners such as PayPal, Uber and Nestlé.
I’ve always been fascinated by the intersection of music, drama, and literature. This interest naturally led me into the world of art performance. To date, I have won over twenty trophies in live painting competitions, including two national titles for Brazil Art Battle.
When I am not at the easel, I am engaging with the broader art community through my monthly column, “Art Observed,” in Revista Circuito magazine, where I explore the pulse of the São Paulo art scene for over 10 years.
Can you talk to us about how you think about risk?
Perhaps my most profound risk was the choice to step outside the sanctuary of my childhood home, a place of unconditional protection, to cast myself into the vast uncertainty of life abroad. Years later, I defied gravity again, surrendering the hard-won triumphs of Los Angeles to reclaim my roots in Brazil. To return was to begin anew, dismantling a life I had built to see what could grow from the soil of my origin. I have always lived by a singular truth: to risk nothing is, ultimately, to risk everything.
Contact Info:
- Website: https://www.milenna.com
- Instagram: https://www.instagram.com/milennasart/
- Facebook: https://www.facebook.com/MilennaSart/




Image Credits
Rafael Ranosi, Art Battle Brasil and Gabriela Queiro.
