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Conversations with Marcell Leon Viragh

Today we’d like to introduce you to Marcell Leon Viragh.

Hi Marcell Leon, we’d love for you to start by introducing yourself.
I am a director and cinematographer from Budapest, Hungary, and I graduated from the Los Angeles Film School in 2025 with a Bachelor of Science degree in Film Production, Directing Concentration.

My journey into film was anything but straightforward. I learned Hungarian, English, German, and French at the Austrian School Budapest and later at Lauder Javne School. At home, I was immersed in business conversations at the family table, played competitive water polo for 15 years, and first pursued architecture and business before finding my passion behind the camera.

Before moving into film, I studied Business and Management with European Studies at the University of Exeter in the United Kingdom, where I was also the starting centre on the Men’s 1st water polo team. During my time at Exeter, I reignited my passion for photography, becoming the official student photographer and videographer for Red Bull and several university societies. Red Bull then flew me to Cardiff, Wales, to cover their international Can You Make It? event.

After returning to Budapest, I freelanced before joining the production company Umbrella Collective, where my versatility in photography, editing, cinematography, and directing earned me the nickname “one-man army.” I later founded my own media house, producing projects ranging from corporate internal communication videos to events and podcasts, with clients including AMCHAM, United Way, and Forbes.

At the Los Angeles Film School, I wrote and directed multiple short films, including FAILURE, BETRAYAL, and my thesis TO SHINE AGAIN. My $0 Production 1 class project, PROPOSAL, was selected for four festivals and won ten awards, including Best Director and Honourable Mentions for my Cinematography. My work in Documentary I and II classes was also highlighted by professors, with my micro-documentary DREAMS being taught as a benchmark for student films. In recognition of my dedication and contributions, the faculty named me Student of the Month in May 2025.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
It definitely hasn’t been a smooth road. Already in high school, I struggled with the fact that everyone around me seemed to know exactly what they wanted to do. At the same time, I was interested in so many different things, like photography, math, physics, architecture, engineering, psychology, and philosophy, that choosing a path felt overwhelming. After much deliberation, I decided on Business and Management at the University of Exeter. However, once I arrived, I realised that my true interests lay much more in marketing, photography, and videography.

That led to one of the hardest decisions of my life: leaving after two years. I had worked incredibly hard to earn a spot at one of the UK’s top universities, so to recognise that it didn’t excite me, and then to admit that both to myself and to my family, was extremely difficult. It felt like I was letting them down after all the time, effort, and support they had invested in me.

The next challenge was figuring out what I did want. I thought that if I worked in marketing, corporate photography, and video, I would find fulfilment. But over time, I realised that those projects, while valuable, didn’t satisfy me creatively. I wanted something more profound, something with greater meaning. Since I had taught myself everything through YouTube and an autodidactic approach up to that point, I finally decided to commit fully and attend film school. If I were going to do it, it had to be in Los Angeles, the heart of filmmaking.

Of course, that came with its own struggle: moving over 6200 miles away from my family to a city and a country where I didn’t know anyone. It meant starting entirely from scratch, rebuilding my life, and creating a new community for myself. Those experiences, though incredibly challenging, shaped me into the storyteller and person I am today.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I am a director and cinematographer, currently specialising in short films. As I mentioned earlier, moving to Los Angeles meant rebuilding myself from the ground up. Since starting film school, I’ve had many opportunities to create a wide range of short projects. I’m especially proud of having worked with Red Bull earlier in my career, and more recently of a zero budget class project short film PROPOSAL that was selected by four festivals and won ten different awards, including Best First-Time Director and Honourable Mentions for Cinematography. Another highlight was my micro-documentary DREAMS, which has been taught as a benchmark for student films in both Documentary I and II classes at the Los Angeles Film School. In my senior year, my dedication and contributions were also recognised by the faculty when I was named Student of the Month in May 2025.

What sets me apart from others is that I work as both a director and a cinematographer. I connect easily with actors and help guide their performances, thanks to my emotional intelligence, while also communicating seamlessly with the crew on the technical side. In other words, I speak both ‘languages’ on set and I can switch between them fluidly depending on what the moment requires.

What sort of changes are you expecting over the next 5-10 years?
I think it’s already hard to predict what will happen in the next six months in the era of streaming, TikTok, and AI, so looking ten years ahead feels almost impossible.
In recent years, algorithms have pushed content more and more toward formulaic, mass-appeal films, and this trend could accelerate even further. At the same time, some creators see AI as an opportunity to rebuild the system and lower entry barriers.
Things may speed up even more, but there’s also a strong sense of nostalgia in the air, a desire to return to the roots. I believe the next decade will be defined by this duality: rapid technological change on one hand, and the search for genuine human connection in storytelling on the other.

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