Life & Work with Marnie Weber of Eagle Rock

Today we’d like to introduce you to Marnie Weber.

Hi Marnie, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
I grew up in rural Connecticut the daughter of an art historian who specialized in ancient Chinese bronzes. My mother typed and edited his books. I was highly encouraged to become an artist by my parents who both thought it was a noble profession. I went to USC and UCLA for art during at which time I joined an art rock band. I played bass, we were called the Party Boys. We helped create the downtown art and music scene in the early 80’s, in part by building the stage at Al’s bar and inviting bands to play. During the late 80’s I got involved in the performance art scene of Los Angeles and was a solo artist for many years. I would perform my own music in character (I performed as an old lady, a circus girl, and many different animals) with music, props and sets. Later I created a fictitious all girl band of ghosts called the Spirit Girls. This was a decade long multi-media project with films, collages, costumes, sculptures and installations. I have made films and videos exploring different female characters and narratives throughout the last four decades. Storytelling and magical transformation is the central focus of my work.

We all face challenges, but looking back would you describe it as a relatively smooth road?
The earliest struggle was becoming a solo artist after being in a band for so many years. I questioned if I was interesting enough to command a stage alone, I think the theatrical presentation made the performance more engaging and appearing as a character in costume enabled me to have more of a dramatic presence as well as create an otherworldly narrative.
Later the transition into gallery shows challenged my confidence, I wondered if I could I command a gallery or museum space all of my creation and get my vision across. Now those things don’t even enter my mind. I suppose those are the concerns of a young artist with a humble nature. Now the struggles are about shipping and budget. My worries and concerns are about how to pull off captivating exhibitions.

Thanks – so what else should our readers know about your work and what you’re currently focused on?
I am most known for my fairy tale like characters, costumes, animals and my commitment to narrative. I embrace otherworldly characters who are vulnerable, hapless misfits and give them a fantastical stage set to live in. I’m most proud of my endless pursuit of different mediums and how I juggle music, film, sculpture, collage, props, sets, and painting and can build something with all the elements together to tell a unique story.

What are your plans for the future?
I have an LP comin out in the UK which is called “Returning Home” a collection of my songs from the 80’s and 90’s. There will be a special edition of handmade collage/painted inserts and an exhibition. I am also working on a large scale exhibition at the Sculpture Center in New York for September of 2027 which will celebrate my sculptures, films and costumes. Much to look forward to!

Contact Info:

• Website: https://marnieweber.com
• Instagram: masnieweberstudio
• Other: https://heidigallery.com

Image Credits
Portrait of Marnie with Moon by Elena Rendina 2025
Photograph of The House of the Whispering Rose bed by Michael Dee
Photograph of theatrical stage set by LeeAnn Nickel