Connect
To Top

Meet Anjali Khetan of Culver City

Today we’d like to introduce you to Anjali Khetan.

Hi Anjali, can you start by introducing yourself? We’d love to learn more about how you got to where you are today?
My path into acting has been anything but traditional. I started out as a software engineer—an Ivy League grad who landed at Google, working on complex, high-impact systems. I pushed myself as hard as I could in that world and am still very proud of what I have accomplished.

But no matter how far I climbed, there was this quiet, persistent pull toward acting. I tried to ignore it, rationalize it away—but eventually, I signed up for a class, just to see. That one class turned into something undeniable. I realized this wasn’t just curiosity—it was calling.

So I did what I’ve always done when something matters to me: I went all in. I left tech, trained rigorously, and threw myself into the craft. Studying at the Lee Strasberg Theatre & Film Institute was a turning point—it cracked me open in the best way.

Since then, I’ve been focused on character-driven dramas that ask a lot emotionally—stories where I can stretch, dive deep, and tell the truth. I’ve never been someone who does things halfway. Acting is no exception.

We all face challenges, but looking back would you describe it as a relatively smooth road?
Has anyone ever said yes to this question? It was definitely not a smooth road—but I don’t think the meaningful ones ever are. Leaving a stable, successful career to pursue something as unpredictable as acting was terrifying. There’s no roadmap. No guarantees. And for someone who was used to structure and solving problems with logic, that was a real adjustment.

And underneath all of that was a deeper question I kept coming back to: Who am I without my resume? Without the external validation? Can I even call myself an actor even though no one else does? That kind of identity shift is no small thing. It forced me to look at myself in a new way, without all the markers I’d gotten used to leaning on.

One of the hardest parts early on was that I didn’t have an artistic community. I was coming from a world of technologists—brilliant people, but not necessarily the ones you call when you’re spiraling about a scene or trying to decode a character’s emotional arc. For a while, I felt really alone. I didn’t know who to turn to or how to even talk about what I was experiencing.

But that changed. Over time, I found my people—mentors, collaborators, classmates, and friends who are in it with me. Artists who inspire me, push me, and remind me that I’m not doing this alone. That community has become one of the most important parts of this journey. I want to thank my agents at Johnson Talent Agency and Stars Talent Studio for their incredible support!

Thanks – so what else should our readers know about your work and what you’re currently focused on?
I’m an actor who gravitates toward emotionally complex, character-driven stories—especially dramas that ask something of me. I love getting inside the psychology of a character and figuring out what drives them, even when it’s messy or hard to access.

I think people I’ve worked with would say I’m detail-oriented, brave, and committed. I show up prepared, I care deeply about the work, and I don’t take shortcuts. What sets me apart is probably the combination of creative vulnerability and discipline—I bring my whole self, and I work hard. That’s true in how I approach a scene, and also in how I approach my career.

I’m proud of how I’ve built this career with intention. I didn’t have a traditional path or an obvious entry point, but I stayed curious, kept showing up, and let the work lead and inspire me. Every step has been about following that instinct—and trusting that consistency and care would open doors. And they have!

What has been the most important lesson you’ve learned along your journey?
The biggest lesson I’ve learned is that you have to try—even when you don’t feel ready, and especially when you don’t have all the answers. There’s no playbook for actors. Especially when you’re coming from a totally different world—no one tells you what a resume should look like for an actor, or how to find the right rep, or what your IMDb should say. I didn’t know if I was doing anything right. But I did it anyway.

I remember going to a film festival early on, determined to network. I didn’t have business cards—I didn’t even know what an actor’s business card should look like. But I made one. Printed it. And handed it out.

Later that night, I overheard someone making fun of my card in a group—laughing, passing it around. Making fun of how it looked. And yeah, it stung at first. But honestly? I’m proud of that moment. Because I know I tried.

That’s what this whole path has been. Self-tapes, resumes, reels, emails, pitches—most of the time, I had no idea if I was “doing it right.” But I kept doing it.

Because the only real way to do it wrong is to not try at all.

Contact Info:

Suggest a Story: VoyageLA is built on recommendations from the community; it’s how we uncover hidden gems, so if you or someone you know deserves recognition please let us know here.

Leave a Reply

Your email address will not be published. Required fields are marked *

More in local stories