Today we’d like to introduce you to Alesha G.
Hi Alesha, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
I’ve loved this business of entertainment for such a long time.I grew up going to the movies and watching tv shows such as, Xena Warrior Princess and Hercules with my dad. It was are bonding time. Having both of my parents being jazz musicians forced me into one aspect of this industry quicker than expected. Plus both of my parents have even received the title of Jazz and Blues Living Legend Award back in 2013, so I grew up around music and creativity. I took ballet and tap, sang in choir, played instruments, and even sports felt performative to me because there was always an audience involved.
In high school, I balanced choir and cheerleading, but acting was the one thing I was always hesitant to fully pursue. It wasn’t until my senior year of college, when I took my first acting class, that everything really clicked. That’s when I realized I needed to stop being afraid and fully commit to it. In 2015, I started calling myself an actor before I really had the résumé to back it up, and from there I went all in training, attending showcases across the country, and eventually signing with my first agent in New York in 2016.
Over the past decade, that journey has expanded beyond acting into writing, producing, and directing. More than anything, it’s allowed me to build an incredible community of talented collaborators who continue to inspire me creatively.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
God, I wish it had been easy! But honestly, I’ve been incredibly lucky to have such a strong support system through my family and friends. They’ve really helped push me forward and kept me grounded throughout my journey as an entertainer.
That being said, I’ve definitely experienced the classic industry struggles. I’ve fallen for scams, worked with amazing managers who truly believed in me, and also with people who didn’t support my career the way I’d hoped. I’ve lost thousands of dollars on bad headshots, false promises about productions, and projects that completely fell apart at the last minute. I’ve had people swear they wanted to work with me, only to disappear or go in a different direction. This industry is far from easy and honestly, it still isn’t. But through all of it, I’ve developed tough skin, resilience, and a strong sense of discernment. Those lessons have been some of the most valuable parts of the journey, especially navigating today’s entertainment world.
Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I’m an actor first, but honestly, I’m an all-around entertainer. Over the last few years, I’ve expanded into stand-up comedy, where I’m finally starting to find my rhythm and footing, while also working as an MC, director, writer, and producer alongside acting. And if you catch me on the right night for karaoke you can catch me singing a little.
I trained in the Meisner technique under Wolfgang Bodison, Gabriel Grier, and Froi Betancor Toner, and that experience completely transformed me as an actor. But the project that really started getting people’s attention was my performance as Maya Frost in Andrew Grace’s original play “Permafrost”. That production felt like a real turning point for me, It was the first time audiences truly saw my growth, range, and commitment to the acting.
Through my mentorship with Wolfgang Bodison, I went on to develop my original one-act piece “Night of Hate”, which I co-created, co-wrote, and starred in alongside my writing partner Samuel Selman. The stage production received strong feedback, which led us to adapt it into a short film that has now begun its festival run.
As my network and creative circle grew, I naturally stepped into directing but it was my friend Megan Corse who really got me started. I later co-directed the short film “I Promise You”, written by and starring rising creatives Megan Corse and Abraham Arias. The project went on to win two directing awards, including recognition at the Playhouse West Film Festival 2025 and the Hollywood Indie Festival 2026.
What really separates me is my work ethic. I take this career seriously, and I’ve never been the type to sit around waiting for opportunities. I create them. Whether I’m networking at screenings and workshops, working as a teacher’s aide, self-tape coach, caterer on indie film sets, tour guide, or even most recently becoming a financial planner, I’m always building, learning, and staying connected to the grind. I’m a hustler with a purpose. I’m determined to leave my mark on this industry. Whether the doors open for me or I have to build my own.
In terms of your work and the industry, what are some of the changes you are expecting to see over the next five to ten years?
The industry definitely feels like it’s in a period of transition right now. Between AI and productions moving outside of Los Angeles, a lot is changing for creatives. But I still have a strong belief in independent filmmaking and original storytelling because audiences are clearly looking for fresh voices and authentic stories.
There’s also been a major rise in vertical content, and while I understand why many creators are moving in that direction, it’s never fully felt like the right space for me. I’m really interested in projects that allow people who look like me to exist as fully realized leads and complex characters.
Because of that, my focus has been on building meaningful, high-quality work with the talented collaborators around me. Right now, I’m developing a sports comedy called “Foul Territory” inspired by “Bad News Bears”, “Benchwarmers”, and “Mr. 3000”. I’m also in pre-production on a feature called “A Concrete Rose”, which I’ve been developing over the past three years with my writing partner, Abraham Fuentes. We’re currently preparing for a fundraiser and house party event to help support the film and continue building community around the project on August 3rd. people can follow our page @Aconcreterose_Thefilm instagram.
The industry is evolving, but creatives are still out here doing the work and fighting to bring meaningful stories to audiences because great work will always find its audience.
Pricing:
- $25 dollars an hour for Self tape coaching
Contact Info:
- Website: https://resumes.actorsaccess.com/AleshaG
- Instagram: @therealaleshaG








