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Daily Inspiration: Meet Tracy Marcellino

Today we’d like to introduce you to Tracy Marcellino.

Hi Tracy, can you start by introducing yourself? We’d love to learn more about how you got to where you are today?
Independent artist Witch Cabin (Los Angeles / NY) steps into 2026 with a powerful new release, “We Want Connection,” available now. Written at her secluded woodland creative space known as The Witch Cabin, the track was born after a heartbreak-fueled trip to New York that revealed just how fragile human connection has become. While the lyrics reflect vulnerability and emotional fracture, the production carries undeniable confidence and movement – a reminder that even in chaos, we are not crumbling.

Produced by Tracy Marcellino Aubert with additional production by Liz Maniscalco and vocal production by Ryan Martin, the record blends introspective storytelling with dance-floor pulse. “We Want Connection” delivers both sonic polish and emotional weight. One of the standout lines -“Diversify your game, for self protection / Digging my bones to build walls, it’s a pure expression” – captures the tension between guarding oneself and longing to be understood. The song defines Witch Cabin’s emerging solo sound and cements her desire to produce, serving as the thematic foundation for her upcoming project described as “a sonic thesis on the state of connection.”

A Red Bull Academy alumnus, Witch Cabin recently scored a 10/10 on Mic Madness with Chris Tyson and Roc Nation – prompting questions about whether she was AI (she’s not). The upcoming record will unfold one song at a time, inviting listeners to follow the journey closely. Look out for live performances beginning this summer. Follow @witchcabinmusic to stay connected.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
Being an independent artist right now is a challenge in and of itself, but one I am thankfully delusional enough to show up for. At the same time, you have complete creative control and more career maneuverability. The most important thing is being your own hype person. I’ve developed the ability to believe in my path with or without validation.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
The album, “We Want Connection”, will be unfolding one single at a time until the full release in November. Follow Witch Cabin on Spotify to stay in the loop. Next up, a reimagined cover of Prince’s “When You Were Mine” out June 2nd. All human/ no AI.

In terms of your work and the industry, what are some of the changes you are expecting to see over the next five to ten years?
While the industry is redefining itself in the face of AI and the collapse of the OG label structure, there is a craving for authenticity. There is this divide between those embracing AI and people like me who are baffled at the complete acceptance of AI created art. In the artistic arena, the impetus should be expression and the impulse to create. I think people are being sold AI art as some kind of miracle but really it’s the worst of capitalism. Labels are trying to print money with AI-generated music which takes from the royalty pool and dilutes streaming royalties even further. It is important right now to discern where your music is coming from and support real artists.

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Image Credits
photos:
Main: Brooke Olsen
Additional: 1. Mike Feerick / 2+3 Brooke Olsen / 4. self-portrait

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