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Daily Inspiration: Meet Sam Salman

Today we’d like to introduce you to Sam Salman.

Sam, we appreciate you taking the time to share your story with us today. Where does your story begin?
I began as a hands-on artist and fabricator with a deep interest in creativity, fashion, and storytelling. Early in my career, I focused on building my skills independently, learning through experience, persistence, and creative exploration rather than relying on industry connections. I describe myself as “a builder, a creator, a fabricator and a fastener of fashions,” emphasizing the craftsmanship behind his work.

One of the major turning points in my career came when my shop became union-affiliated, leading to his first major client: Zendaya and Hunter Schaffer through the television series Euphoria. That opportunity helped launch me into larger productions and connected him with notable professionals in film and television. Despite working with high-profile talent, I emphasize that every collaboration — whether with celebrities or independent artists — contributed to shaping me both personally and professionally.

Throughout my journey, I spoke openly about the challenges of navigating the entertainment and costume industry without nepotism or insider advantages. I credit my progress to resilience, self-belief, and the ability to walk away from difficult situations that no longer served my growth. My story is one of perseverance: building a career through dedication to his craft, continuous learning, and determination to create opportunities for myself and my peers.

I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
Nobody from the costume or wardrobe unions “opened the door” for me, not even my professors from CalARTs; who, themselves were working costume designers. Meaning I had to work independently to earn opportunities and credibility in a highly competitive field.

The emotional difficulty of separating myself from unhealthy relationships and situations. I reflected on how some people in my life held me back, and that part of my growth came from learning to leave behind difficult environments in order to move forward creatively and professionally.

Another struggle was perseverance itself — continuing to push forward despite setbacks, instability, and the pressures of creative industries. I would say I am “still fighting the good fight,” suggesting that even after achieving professional milestones, I continue to work hard to maintain momentum and build the kind of collaborative team and artistic future I envisions for myself.

Can you tell our readers more about what you do and what you think sets you apart from others?
I specialize in costume design, art direction, fabrication, and fashion construction for film and television. I describe myself not only as an artist, but also as “a builder, a creator, a fabricator and a fastener of fashions,” highlighted by my hands-on approach to design and garment creation. My work blends creativity with craftsmanship, allowing me to contribute both artistic vision and technical skill to productions.

One of the accomplishments I am most proud of is earning major opportunities through my own persistence and talent. A significant milestone in my career was working with Zendaya and Hunter Schaffer and contributing to Euphoria after transitioning his shop into the union. Working with Brad Pitt on Ad Astra and with Ryan Gosling on First Man. Beyond celebrity collaborations, I take pride in the fact that every project and every person I have worked with helped shape me into a stronger artist and person.

What sets me apart from others is my perspective on creativity and resilience. I draw inspiration from knowledge, lived experiences, and the “zeitgeist,” allowing his design process to evolve organically rather than following rigid formulas. I would also like to emphasizes self-reliance and perseverance, noting that I built my career without relying on nepotism or industry favoritism. That combination of artistic philosophy, technical craftsmanship, and determination gives my work a highly personal and authentic identity.

Risk taking is a topic that people have widely differing views on – we’d love to hear your thoughts.
I think risk taking is necessary if you want to evolve creatively or personally. Nothing meaningful in my life has ever come from comfort or safety. A lot of people wait for permission, validation, or for somebody to open the door for them — but my experience has been that sometimes you have to build the door yourself.

One of the biggest risks I took was fully committing myself to my craft without having a guaranteed path laid out for me. I didn’t come from nepotism or have some big machine behind me pushing my career forward. I had to trust my instincts, trust my creativity, and continue moving even when things were uncertain financially, emotionally, and professionally. There were moments where I had to walk away from people, environments, and situations that were familiar but ultimately limiting my growth. That’s a risk too — choosing the unknown over staying stagnant.

Another major leap was transitioning my shop into the union world and stepping into larger-scale productions. That came with pressure, expectations, and a lot of responsibility. When I landed opportunities connected to projects like Euphoria and worked with people like Zendaya, it reinforced for me that taking risks can completely change the trajectory of your life.

I’ve learned that risk and fear are usually connected. If something scares you a little, but you know it aligns with who you are becoming, that’s usually where growth exists. I’d rather fail trying something ambitious than spend my life wondering what would have happened if I had trusted myself more.

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