Terrell M Green M.S. shared their story and experiences with us recently and you can find our conversation below.
Hi Terrell M , thank you so much for taking time out of your busy day to share your story, experiences and insights with our readers. Let’s jump right in with an interesting one: What is a normal day like for you right now?
Lately, my days start early—around 5 a.m. Three mornings a week I’m in the gym getting grounded before the day takes off. The other mornings are dedicated to scaling my digital media branding and strategy company, 267 Productions Co., LLC, where I focus on helping creatives and small businesses amplify their stories online. Afternoons are spent working my 9-5, gotta pay the bills; and evenings are usually spent producing my new rap-poetic musical, Harriet Tubman: Love Slave, which premieres November 13 at Impro Theatre in Los Angeles. It’s a full season of creative hustle, purpose, coffee, and water.
Can you briefly introduce yourself and share what makes you or your brand unique?
I’m Terrell M. Green, a Los Angeles–based Digital Strategist, Theatre Producer, and Writer-Director blending rhythm, history, and social impact through performance and storytelling. I founded 267 Productions Co., LLC, a digital media and production company helping artists, nonprofits, and small businesses amplify their stories through data-informed strategies, branding, and creative content. I hold an M.S. in Digital Media Management from USC Annenberg, a B.A. in Theatre Performance from Marymount Manhattan College, and a Professional Certificate in Shakespeare from Oxford University’s British American Drama Academy, plus marionette puppetry training in Ireland. I’m currently producing my rap-poetic musical, Harriet Tubman: Love Slave, premiering November 13 at Impro Theatre in Los Angeles.
Amazing, so let’s take a moment to go back in time. What was your earliest memory of feeling powerful?
My earliest memory of feeling powerful was when I first stepped onto a stage as a kid in Philadelphia. I didn’t have the words for it then, but something clicked — the moment the lights hit, I realized storytelling could move people. I felt seen and in control of how others experienced me, my community, and our truth. That feeling of turning vulnerability into connection — of using art to reclaim narrative — has fueled everything I’ve done since, from theatre to digital strategy. Power, for me, has always lived in expression and impact.
If you could say one kind thing to your younger self, what would it be?
I’d tell my younger self: You are not too much — you’re exactly enough. Every feeling, every rhythm, every idea that made you feel “different” is what makes your voice powerful. One day, you’ll use those same instincts to reimagine history, to merge poetry and hip-hop, and to tell stories like Harriet Tubman: Love Slave that blend art and truth. Keep trusting your imagination, even when others don’t understand it yet. The world will meet you where your purpose already lives — in your creativity, your courage, and your heart.
So a lot of these questions go deep, but if you are open to it, we’ve got a few more questions that we’d love to get your take on. What’s a belief or project you’re committed to, no matter how long it takes?
I’m deeply committed to using art and digital media to make social impact accessible. I believe storytelling creates data that can shift culture, heal communities, and spark real conversation. Whether through theatre, film, or digital campaigns, my goal is to build spaces where people, especially Black and queer voices, feel seen and powerful in their truth. Projects like Harriet Tubman: Love Slave are part of that mission. It’s not just about producing work; it’s about building a legacy of stories that inspire both reflection and action, no matter how long it takes.
Before we go, we’d love to hear your thoughts on some longer-run, legacy type questions. What do you think people will most misunderstand about your legacy?
People might think my work is only about resistance or trauma, but at its core, it’s always about love. Harriet Tubman: Love Slave is a perfect example; it reimagines Harriet not as a symbol, but as a woman who loved, lost, and still chose freedom. That human side of history often gets overlooked, just like how the heart inside activism gets ignored. My legacy isn’t about shouting at the world; it’s about helping people feel it. I want to remind audiences that revolution can sound like rhythm, look like art, and start with love.
Contact Info:
- Website: https://www.tgreen267.com/htls
- Instagram: teegurugreen
- Linkedin: https://www.linkedin.com/in/terrellmelvingreen/
- Youtube: https://www.youtube.com/@267productionsco2
- Soundcloud: https://on.soundcloud.com/d3G4iEGva7bh3c5dz6
