Today we’d like to introduce you to Siddharth Agrawal.
Hi Siddharth, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
I embarked on my journey in cinematography without any prior background or experience in the field. While I had dabbled in video editing, my knowledge of filmmaking was limited until three years ago. Photography was my hobby, but I hadn’t considered it as a potential career. Pursuing a degree in computer science engineering in India, I stumbled upon a photography club in college. Although I joined and covered events for a few months, it didn’t quite found what I was looking for. It wasn’t until I met a senior majoring in Mass Communication, a true film enthusiast, that my interest in filmmaking was sparked. In the penultimate year of college, we founded our own media team, weaving stories into the videos we created for various events. This experience revealed the power of storytelling in elevating visuals and connecting with audiences on a profound level, opening my eyes to the broader world of filmmaking.
Uncertain about whether I wanted a career in filmmaking and what aspect excited me the most—storytelling or visual aesthetics, COVID-19 forced our media team to halt its activities as everything shifted online. During that time, in my hometown, Udaipur, India, I seized the opportunity to intern as a cinematographer at an advertising agency. This experience clarified my passion for visuals and illuminated the distinction between the roles of a director and a cinematographer.
Realizing that cinematography required more than superficial knowledge, I decided to pursue a Master of Fine Arts in Cinematography at the New York Film Academy in Los Angeles. Here, I delved into the intricacies of proper cinematography, understanding that every choice, from camera and lens selection to lighting and color palette, contributes to evoke specific emotions in the audience, all in harmony with the story.
Since joining NYFA, I’ve served as a Director of Photography for over 15 films, including eight of my own short films. Each project has been a learning experience, presenting new challenges and insights. The dynamic nature of this field ensures continuous learning, and I’ve come to appreciate the collaborative aspect of being a cinematographer—working with talented individuals, contributing to a collective vision, and striving to create something enduring.
Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
My journey into cinematography has indeed been marked by both challenges and significant learning experiences. Initially lacking any background in the field, I faced the hurdle of unfamiliarity with the intricacies of filmmaking. While I had some exposure to video editing, the transition to understanding the broader aspects of cinematography was a learning curve. I would say, though, that coming from an editing background significantly aided my comprehension of cinematography. As an editor, the ability to feel the emotions of a film and make the audience experience the same is crucial. Having this awareness in advance now helps me plan the shots we need and the necessary actions during the shoot, keeping the bigger picture in mind—how it will all tie together in the edit.
The shift to a new country and educational institution presented its own set of challenges. Navigating through the nuances of proper cinematography required dedication and perseverance. Cultural differences and the workings of the film industry in the United States proved to be markedly distinct from those in India. However, the most challenging aspect of relocating, I believe, was the financial burden. Initially, I entered film school with the assumption that tuition and living expenditures would be my primary financial responsibilities. But a few weeks in, I discovered that we are also required to fund our class assignments—a substantial expense that wasn’t initially accounted for. But, each film project I undertook brought its own unique difficulties, reinforcing the idea that this field is constantly evolving, and one must be adaptable to succeed.
In summary, while the road has not been entirely smooth, the challenges encountered have been instrumental in shaping my understanding of cinematography and enhancing my skills. The diverse experiences, from starting a media team in college to navigating the complexities of filmmaking during a pandemic, have contributed to my growth as a cinematographer.
As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
In the realm of cinematography, I specialize in crafting visual narratives that seamlessly intertwine with storytelling, evoking emotions and creating a compelling cinematic experience. My journey began with a background in video editing, a skill that has proven invaluable in planning shots and understanding how visuals will coalesce in the final edit. Throughout my academic and professional endeavors, I’ve honed my skills as a Director of Photography (DP) and have actively contributed to over 15 film projects, including eight of my own short films. These experiences have been instrumental in shaping my understanding of the intricate relationship between visuals and storytelling.
My recent film ‘They/Them’, which tells the story of ‘A young teenager who embarks on a journey of self-discovery, only to end up feeling devastated by his true identity, until an epiphanic experience of self-acceptance motivates them to accept their inner feminine side.’ was recently screened at The Great Film Club, Los Angeles. And I’m currently working on a new film, Exsanguination, Logline: In the aftermath of a family’s visit to a grieving friend, a shocking revelation about the deceased mother’s beliefs leads to a terrifying struggle for survival as the daughter finds herself pursued by the friend, revealing a disturbing and macabre secret about the true nature of her mother’s demise. Which is scheduled to be shot in February 2024.
What sets me apart is my ability to navigate the complexities of cinematography with a meticulous focus on visual aesthetics. Having learned the craft at the New York Film Academy, I approach each project with a holistic understanding of the choices that contribute to the overall impact—from camera and lens selection to lighting and color palette. This comprehensive approach ensures that every visual element aligns cohesively with the narrative, enhancing the audience’s emotional engagement.
One aspect I take immense pride in is my adaptability and resilience. Moving to a new country for education brought its own challenges, and overcoming these hurdles has not only contributed to my personal growth but has also enriched my perspective as a cinematographer. I’m proud to have emerged from these challenges with a strengthened commitment to the craft.
Ultimately, my work reflects a passion for creating visually arresting stories that resonate with audiences on a profound level. Whether collaborating with talented individuals or steering my own projects, I strive to contribute to the cinematic landscape by delivering compelling visual narratives that leave a lasting impact.
Are there any apps, books, podcasts, blogs or other resources you think our readers should check out?
Certainly! I rely on a variety of resources to continually improve my craft in cinematography. Here are some key ones that have been particularly beneficial:
1) Team Deakins Podcast: This podcast provides invaluable insights into the world of cinematography. Hosted by acclaimed cinematographer Roger Deakins and his collaborator James Deakins, it offers a deep dive into the art and craft of filmmaking.
2) American Cinematographer Magazine: A staple in the cinematography community, this magazine serves as an excellent source of industry news, interviews, and in-depth articles on the latest trends and technologies.
3) Artemis Pro App: This app is an essential tool for cinematographers, helping with shot framing, camera choices, and lens selection. It provides a virtual viewfinder and assists in visualizing shots before they are captured.
4) Cinematography: Theory and Practice by Blain Brown: This book is a comprehensive guide to cinematography, covering both the theoretical and practical aspects of the craft. It has been a valuable resource in deepening my understanding of cinematographic principles.
5) Set Lighting Technician’s Handbook by Harry C. Box: Focused on the lighting aspect of cinematography, this handbook is an indispensable guide for set lighting technicians. It provides practical knowledge and techniques for achieving effective and cinematic lighting setups.
While these resources contribute significantly to my professional development, I also turn to other outlets for relaxation. When things get too stressful, I find solace in playing “Hogwarts Legacy.” As a devoted Harry Potter fan, immersing myself in the wizarding world offers a delightful escape from the demands of my work and provides a rejuvenating break.
Contact Info:
- Website: https://www.imdb.com/name/nm14292066/?ref_=nv_sr_srsg_0_tt_0_nm_6_q_siddharth%2520agrawal
- Instagram: https://www.instagram.com/sidd_flicks/
- Linkedin: www.linkedin.com/in/siddarth-agrawal
Image Credits
Siddharth Dixit
