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Meet Ming-Jue Hu

Today we’d like to introduce you to Ming-Jue Hu.

Ming-Jue Hu

Hi Ming-Jue, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I was born in China and experienced a significant shift in my life when I immigrated to NYC at the age of 13. Growing up, my love for movies and storytelling blossomed, particularly after taking a captivating cinema history class in high school. This interest in storytelling led me to audition for and get cast in school plays, drawn by the beautiful camaraderie that unfolds in such experiences.

In high school, I delved into the world of photography under the guidance of a friend of my dad, a professional photographer. I set up a makeshift darkroom in my bathroom, developing black and white photographs and honing my skills. This exploration, along with my passion for film and theater, guided my decision to apply to the Tisch School of the Arts at NYU.

The four years at film school were transformative, and I found myself deeply involved in various roles on film sets, from assistant camera (AC) to gaffer and grip. The on-set experiences fueled my desire to pursue cinematography. As I neared graduation, I had the privilege of shooting numerous thesis films, allowing me to travel to many places like Istanbul, Santa Cruz, Mississippi, Colorado, Michigan, San Francisco, etc.

My journey took an unexpected turn when I received an offer to shoot my first feature film in India, a road movie spanning from New Delhi to Himachal Pradesh. The 55-day shoot covering 44 locations was challenging but incredibly rewarding, solidifying my love for cinematography.

Returning to NY, I engaged in various short-form projects, including fashion films, music videos, commercials, and short films. Although the opportunity for another feature film hasn’t materialized yet, I remain hopeful. In 2015, my connection with filmmakers from China led me to shoot two feature films in my childhood country, marking a significant moment in my career.

Over the years, I continued to work on both sides of the globe, shooting feature films in China and the US. The American Cinematographer Magazine recognized my work, naming me a Rising Star of Cinematography in 2018. In 2019, I ventured to Thailand to shoot an eight-episode Chinese TV series, spending four months in Bangkok.

Amid the challenges of the pandemic, I found myself back in NY, where I seized the opportunity to further my education. I applied to the graduate program at the American Film Institute and relocated to LA two years ago. Last year marked a significant milestone as I shot a feature film, “LaRoy,” which premiered at the Tribeca Film Festival 2023. Simultaneously, “My Night Glow Yellow,” another project close to my heart, also had its premiere at the same prestigious festival.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
Embarking on a freelancing journey after graduating from Tisch School of the Arts brought its own set of challenges. Balancing the need for projects that could sustain me financially with those that aligned with my passion for compelling stories was a delicate act. Early on, I made a strategic decision to shift my focus to shooting as a Director of Photography (DP) rather than pursuing more crew work as an assistant camera. While this decision initially posed financial constraints, I’m pleased that it allowed me to delve deeper into the intricacies of cinematography, significantly advancing my skills in the craft.

Navigating the competitive landscape of the film industry underscored the importance of collaboration with directors and producers. It became evident that success in this field goes beyond merely doing a good job; it hinges on the collective effort to make films that resonate with audiences. The pandemic introduced unforeseen challenges, impacting the momentum I had built. However, these hurdles served as a catalyst for reflection and adaptation.

In the midst of navigating the industry’s demands, I dedicated time to developing my unique aesthetic in visual arts. This exploration allowed me to infuse a distinctive quality into my work, contributing to the storytelling process. Simultaneously, I immersed myself in various mediums, such as music and literature, recognizing the profound impact they have on narrative construction. This holistic approach to storytelling not only broadened my creative horizons but also provided valuable insights into the interconnectedness of different artistic expressions.

Despite the hurdles and uncertainties, the journey has been a continuous learning process. Each project has contributed to my growth as a cinematographer. Adapting to the evolving landscape of the industry, especially in the face of challenges like the pandemic, has reinforced the resilience required to thrive in this competitive field.

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
As a cinematographer, my work is an embodiment of my passion for visual storytelling, honed through years of diverse experiences. Growing up in the vibrant tapestry of New York City and traversing the globe over the past decade has cultivated in me a deep sense of empathy for my collaborators.

I take pride in my ability to actively listen and discern the nuanced desires and needs of my fellow creatives. Unlike some peers who prioritize the perfection of image creation, my unwavering passion for cinema is rooted in the belief that cinematography should serve the story. One of my strengths lies in my capacity to see the big picture of a film, using cinematographic language judiciously to complement and elevate the narrative, ensuring that beautiful shots enhance rather than overshadow the story we aim to tell.

Having worked on many indie features, I’ve developed proficiency in swiftly setting up shots and lights. This efficiency not only optimizes production time but also grants directors more opportunities to collaborate with actors. I consider myself an actor’s cinematographer, drawing from my own experiences in high school plays to create an environment that fosters a sense of protection and support for the actors. Understanding their vulnerability, I strive to craft a space where they can fully immerse themselves in their roles.

One project that exemplifies my approach is the feature film “LaRoy,” which premiered at the Tribeca Film Festival 2023. This film not only showcased my technical prowess but also highlighted my commitment to collaborative storytelling.

In essence, my work is defined not only by technical proficiency and a unique visual aesthetic but also by a holistic approach that places the story and the collaborators at the forefront. My journey, marked by a diverse array of experiences and a dedication to continuous learning, shapes my identity as a cinematographer who prioritizes the art of cinema and the human connections forged through storytelling.

If we knew you growing up, how would we have described you?
Growing up, I was a film enthusiast from a young age. One of my favorite pastimes was exploring the aisles of my local video rental store, immersing myself in the diverse world of cinema. This early fascination with film sparked a passion that would later become a driving force in my career.

Beyond the realm of cinema, basketball played a significant role in my formative years. The collaborative nature of this team sport instilled in me a deep appreciation for working with others and the value of playing well together. Little did I know that this experience on the basketball court would later influence my skills in handheld operating as a cinematographer. The dynamic movements and quick reflexes required in basketball seamlessly translated into my ability to capture compelling and fluid shots.

My interest in photography blossomed during high school, catalyzed by a close family friend who was a seasoned photographer. Under his mentorship, I delved into the intricacies of photography, learning the art and techniques that would eventually become a cornerstone of my visual storytelling journey. Armed with newfound knowledge, I would wander the streets of my New York neighborhood, documenting the essence of everything I held dear.

These early experiences laid the foundation for my multifaceted approach to storytelling. The blend of my love for film, the teamwork instilled by basketball, and the visual storytelling skills honed through photography has contributed to the unique perspective I bring to my work as a cinematographer.

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