Today we’d like to introduce you to Charles daCosta.
Hi Charles, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I’m essentially an artist and suffice to say an ‘accidental’ academic whose gratification is found when nurturing others. This is grounded in my African heritage that calls for one hand to wash the other – in kindness.
We all face challenges, but looking back would you describe it as a relatively smooth road?
My life has been far from smooth. I grew up in Ghana – in a time and place where there was no faith in art. ‘Everyone’ was expected to be ‘sensible’ by aiming to become a lawyer, doctor, engineer, accountant or plug into what was viewed as ‘functional’ professions. Scholarships were virtually impossible for courses in the Creative Arts. Even their arcane consular protocols made embassies of ‘arts friendly’ nations seem like formidable opponents of one’s creative ambitions. On arrival in the college of my dreams, I had to confront the nightmare of unbelief – doubt that a person of my kind knew anything about animation and filmmaking. I was pressed on many sides. I had to fight cultural, intellectual, psychological, technical and financial battles.
As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I am in the business of future-proofing animation. A concept developer, animator and educator, I equip students to become critical thinkers, enabling them to be adept at navigating the choppy waters of creative industries and cultural production. I am most proud of the fact that numerous cinematically successful animation features over the past decade have involved creative contributions from some former students of mine. What sets me apart from others is the ability to recognize possibilities, nurture potential and fabricate critical thinking into engaging animation.
So, before we go, how can our readers or others connect or collaborate with you? How can they support you?
I am working on a project in Australia so hybrid modalities best support me and facilitate collaboration.
Contact Info:
- Instagram: wanwankoko
- Other: https://vimeo.com/759482738
Image Credits
Charles ‘Staché’ daCosta
