Today we’d like to introduce you to Alexandra Lee
Hi Alexandra, can you start by introducing yourself? We’d love to learn more about how you got to where you are today?
Thank you for taking the time to read my story! My late grandfather, a Holocaust survivor, and immensely talented performer sacrificed his dreams of pursuing a career in the arts to provide for his family. His gratitude for life and creative passions motivated me to pursue a career as an actor.
I acted professionally in the San Francisco theatre scene for most of my adolescence and trained at The American Conservatory Theatre. Later, I attended The University of Michigan, obtaining a Bachelor of Fine Arts in Acting, a Bachelor of Arts in Communication and Media, and a minor in playwriting. During college, I discovered my passion for writing and directing; a highlight of my collegiate experience was directing a predominantly AAPI production of the musical Next to Normal, using theatre as a medium to raise mental health awareness within the AAPI community.
Since graduating, I have acted in multiple regional theatrical productions, worked as a voiceover artist for Netflix and Paramount Plus, expanded my artistry as a stand-up comedian, and advanced my career as a screenwriter. I consistently act in independent film and television projects throughout California and am always thrilled to participate in meaningful creative endeavors.
We all face challenges, but looking back would you describe it as a relatively smooth road?
I am grateful for the support and mentorship I received throughout my career. It has not always been smooth, but the people who have believed in me and seen my potential have made the artistic journey I’ve been on so much more joyous.
I am a Korean, Japanese, and Jewish-American woman. My intersectional experience as an ethnic minority within a religious minority has shaped my perspective and self-perception. I struggled with feelings of belonging and didn’t truly understand the root of these emotions until adulthood. This led me to try to retreat into the background, avoiding any aspect of myself that made me unique. I have obsessive-compulsive disorder, so I was quite precise when it came to erasing the parts of myself I deemed peculiar. My internal monologue was a relentless stream of self-criticism—I was too short, too awkward, and I felt like I was never “enough”—not Jewish enough, not Asian enough. It wasn’t until I reached my twenties that I realized the attributes I once resented in myself were the keys to my creative renaissance. My artistry is driven by a desire to provide representation for young women who have ever felt wrong or broken because of their uniqueness—to show them that their differences are not flaws but strengths. Not seeing my personal experiences reflected in television, film, or onstage is frustrating; however, it ignites a desire to contribute to the artistic canon, as I know my perspective is necessary.
As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I am known for my acting on stage and my work in voiceover, but I also have a presence in film and television. I have been lauded for my comic talent and ability to find spontaneity and truth in every performance I take on. I have advanced stage combat skills as well as experience with stunts and devising. My screenwriting has placed and won competitions due to my ability to weave humor into explorations of complex topics such as sexuality, religion, mental illness, and chronic pain. Ultimately, I want to take my unique personal experiences, find the universal human truth within them, and reflect it within my performances and writing. I’m incredibly grateful to be represented by DDO Artists Agency and managed by Artists First, whose unwavering support has been instrumental in shaping my career.
Any big plans?
My paramount goal is to pursue my career as an actor in film, television, voiceover, and theater while establishing myself as a writer for film and television. I intend to continue building my writing portfolio and exploring my artistic voice.
One of my most meaningful scripts is Santoku, a short film inspired by my adolescence. It follows Ella, a teenage girl born with a Nevus of Ota—a rare dark blue birthmark on the left side of her face—who navigates chronic pain and the complexities of being both Korean and Japanese. Ella often feels caught between identities. Like many of us who embody multiple ethnic heritages, she grapples with the tensions and silences that arise from historical, national, and cultural divides within her family. This film became a deeply personal exploration of cultural complexities, creating space for the kind of uncomfortable yet essential conversations that shape our understanding of identity.
Outside of writing, I’m continuing to strengthen my stand-up and improv skills. I can’t wait to continue my studies at The Groundlings, where I will take Improv Lab later this year. Additionally, I play a leading role in the upcoming web series Schoolgirls, set to premiere this summer.
Contact Info:
- Website: https://www.thealexandralee.com
- Instagram: https://www.instagram.com/alexkleee/
Image Credits
Ekaterina Angelova, Lizzie Friedrich, Karen Santos, Benjamin Krantz
