Today we’d like to introduce you to Robert Fisher.
Hi Robert, it’s an honor to have you on the platform. Thanks for taking the time to share your story with us – to start maybe you can share some of your backstory with our readers?
I relocated to Los Angeles in the fall of 2013 to pursue a BFA in film production, graduating from NYFA in the spring of 2016. My entry into the film industry began with background and stand-in roles, leading to my membership in SAG-AFTRA. I have always harbored a passion for photography.
In 2014, my mother gifted me a Nikon D5200 digital camera, which has accompanied me on numerous international trips and has been my primary tool for capturing images ever since. During my college years, I frequently used a Fujifilm Instax Wide camera for instant photography, which further fueled my interest.
During the pandemic, I returned to my roots with Fujifilm disposable cameras, which I utilized for about a year. This exploration led me to acquire a Nikon EM, and subsequently a Canon AE-1 Program. For the past six years, I have focused exclusively on analog photography, honing my skills in film development and composition.
I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
The most significant challenge I’ve faced in this journey has been maintaining faith in the vision while learning from my missteps. There have been numerous instances where developed rolls of film returned blank due to incorrect settings or a failure to implement sound technical practices, which are crucial for safeguarding the film throughout the process.
When embarking on an international trip and opting to shoot exclusively on film, meticulous planning is required—from selecting the appropriate film stocks to navigating airport security with my gear. Every choice impacts the final output, whether it’s the printing process or the framing of the images. The entire endeavor can be a complex struggle involving processing techniques and creative decisions. However, with time and contemplation, the pieces eventually start to fall into place, leading to a more coherent understanding of the craft.
As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I work with 35mm film and focus on a comprehensive range of photographic techniques. My signature style is characterized by neon light photography and nocturnal scenes captured on 35 mm film. What distinguishes my work from others in the field is my intuitive approach and willingness to embrace risks, allowing for the exploration of errors and imperfections that often characterize fine art photography.
Can you talk to us a bit about the role of luck?
I’ve had considerable fortune on various film sets, which has significantly influenced my work. This extends to photography as well—whether it’s receiving a crucial line from a director during a pivotal scene or capturing an aircraft perfectly framed with a bird entering the shot—these moments often feel like serendipity. It underscores the importance of timing, but it also highlights the value of networking and fostering good relationships within the industry. This communal aspect of ‘luck’ is integral to the artistic process, as it mirrors the broader experiences of many creative professionals. Ultimately, being in the right place, at the right time, and maintaining a positive attitude have been fundamental to my understanding of luck in my career.
Contact Info:
- Website: https://www.hardyellowlights.com
- Instagram: @RobDollas
Image Credits
Robert Fisher
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