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Check Out Sam Zheng’s Story

Today we’d like to introduce you to Sam Zheng.

Sam Zheng

Hi Sam, thanks for joining us today. We’d love for you to start by introducing yourself.
I started as a theater kid and a magic enthusiast when I was very young. I enjoyed performing and creating magical moments on stage, and seeing the audience’s reaction brought me joy. My father had a huge DVD collection of great movies and would watch some with me. I started to watch Hitchcock’s works at the age when others were watching children’s cartoons, and it fundamentally shaped me as an artist without me even realizing it. I have always enjoyed watching movies when I grew up, and I even used it as an opportunity to learn English. However, the thought that I could pursue filmmaking as a career never really crossed my mind until I picked up Film Studies as a minor in college. I had the chance to pick up a Black Magic Ursa and shoot something, and I fell in love with the experience: it all clicked. The process of filmmaking is just like an elaborated magic trick: creating beautiful, fictional routines through storytelling, performance, and carefully crafted moving images to bring joy and entertainment to audiences and myself. Filmmaking made me feel like a child again, so I turned the minor into a second major and never looked back. Now I use my experience in theater to boost my ability to guide my cast, and I keep the joy and wonder I found in magic tricks to push me forward.

We all face challenges, but looking back would you describe it as a relatively smooth road?
It was definitely very tough at times. I started to venture the path of filmmaking really late, and I always felt like I was behind everybody else no matter how much extra knowledge I tried to squeeze in myself. For a long time, I also couldn’t find my own voice in the world of cinema, and it seemed like I was never talented to begin with. The lack of experience and my mental health also contributed to my struggles in the worst way possible. Fortunately, I was able to pick myself up and realized that I didn’t need to please anyone else; I am simply happy making these projects, and I can go at my own pace. Without much burden on my shoulders, I was able to find my footing again and settled on the style and genre I would like to work with.

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
I mainly focus on directing horror films. I grew up with horror, and I have always admired its ability to evoke the most primal emotions within us. From Hitchcock to Cronenberg to Wan and Aster, I was fortunate enough to draw inspiration from these legendary filmmakers. My main goal is to organically combine psychological and body horror to create a mesmerizing medium that can deliver a fantastic story. I believe that the true horror is never the loud sound effect nor the sudden jumpscare; it’s a universal dread that lies deep in the drama about human beings.

Currently, I try my best to tell women’s stories In my film. I’m glad that women are being treated better in today’s society, but I still find misogyny plaguing our world in every corner. There are horror stories happening to women in real life on a daily basis around the world, and I believe that these stories deserve to be told so that I can bring awareness to the fact that the fight for women’s rights is far from over.

When I’m not directing, I like to do production design. Filmmaking is mostly visual storytelling, and production design ensures the authenticity of the story as well as provides the opportunity for the camera to capture a world of make-believe: in short, I believe production design is the central piece of the magic trick, and without it the show can’t go on. I am also learning some makeup skills in the meantime, but that is more of my personal hobby rather than a professional one.

What was your favorite childhood memory?
There are many memories to choose from, as I hold my childhood dearly in my heart. If I have to choose one, it has to be the time I spent rehearsing my first stage play when I was nine. It was a children’s play with a magical castle, a witch, and a fantasy journey. To me, being a part of a greater story made me feel a sense of happiness that I couldn’t find elsewhere, and I was able to fully immerse myself in this whimsical world that took me away from my life while granting me another. It was exhausting, but I can never forget about that entire experience. To me, it was real magic.

Contact Info:

Image Credits
Teddy Jian, Ashwin Mitchell, Mingyang Li, Zhen Cao

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