Today we’d like to introduce you to Ricardo Galindo.
Hi Ricardo, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I started exploring the art of DJing in 1998 when I was 13 years old. Back then, all those House and Techno sounds of the era were arriving in Colombia, and I became deeply curious to understand and be part of the sound I was hearing. At 15, Fabio Alzate a major figure in the Colombian electronic scene took me under his wing and taught me the craft. Since then, I’ve spent over 20 years producing music and DJing. I have seasons where I perform more frequently and others where I solely dedicate myself to producing, depending on my mood and my time. It’s something I truly enjoy, and after so many years, I see it differently than today’s youth do. My goal isn’t for everyone to see or recognize me; my objective has always been for people to connect on a deeper level with my music and my sets. To me, that is much more profound.”
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
I think that nowadays, within the music industry in general not just electronic music, it’s no longer only about competition, but about chasing that moment of luck or virality. Because of that, a lot of the connection between the artist and the listener has been lost.
I believe many artists are now creating music more for the 40 seconds people use in a TikTok video than for building a fully structured piece of art designed to give listeners a real experience or make them feel what the artist truly wants to express.
So for everyone, the path has become much more complex. It’s not easy anymore. People no longer consume music, they devour it. And in that process, a lot of the naturalness and love for sound has disappeared. Music has started to become something made specifically for TikTok.
Unfortunately, that’s the reality the music industry is giving us today
Thanks – so what else should our readers know about your work and what you’re currently focused on?
Currently, I balance my normal job in sales, which takes up most of my time with my passion for music, creating and producing in my free time. Despite managing both worlds, I am known for having several tracks make it onto major radio stations and important charts around the world.
When it comes to my record label, people truly appreciate the sonic diversity I deliver as a curator. What sets the label apart is our complete lack of fear when it comes to embracing fresh, new sounds. Personally, what distinguishes me as an artist is exactly that: the unique fusion and versatility of my own musical identity.
What do you like best about our city? What do you like least?
Even though I’m not in California right now, I spent a year living in Riverside and exploring different parts of the state. I can definitely say it’s a magical place; California has a vibe unlike anywhere else I’ve ever been. The people are genuinely warm, respectful, and have what we in Colombia call ‘don de gente’—a true gift for connecting with others. As a music lover, one of the things I miss the most is spending hours crate-digging for vinyl in the local record shops.
On the flip side, if there’s one thing that feels like a total mismatch especially for someone like me who lives for the music scene, it’s the nightlife curfew. It’s crazy to think that parties wrap up at 2:00 a.m. Seriously, by that time, I’m just warming up my engines!
Contact Info:
- Instagram: https://www.instagram.com/mikrobeats_/
- Youtube: https://www.youtube.com/@Mikrobeats
- Other: https://www.beatport.com/label/ooktu/118884


