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Conversations with Ruso Margishvili

Today we’d like to introduce you to Ruso Margishvili.

Hi Ruso, so excited to have you on the platform. So before we get into questions about your work-life, maybe you can bring our readers up to speed on your story and how you got to where you are today?
I was born in a family of two generations of architects. When I was very young, my grandpa would often bring home old drawings from work for me and my sisters to use as scrap paper. The plans and sections were all hand-drawn and busy with meticulous patterns, plants, entourage. Sometimes if I found any draft drawings, I’d fill them in with of furniture and people. (One drawing still exists and even has a tiny grand piano in it). Years later, I went to an architecture school where I had to generate images to illustrate my design ideas. I had no interest in computer renderings because I found them synthetic and flat, so I had to search for alternative ways of expression. That’s when I started drawing more frequently. I’d illustrate plans and sections, experiential renderings and concept diagrams. I liked using the drawings to enhance the story-telling. After graduation, the nature of my design work had to change because I was no longer working by myself, which also meant that I no longer drew that much. I had recently moved to NYC where I didn’t know many people. At times I felt very isolated and lonely. Drawing became a therapeutic tool. I started illustrating my own adventures, thoughts and observations. I drew to hold on to memories and make notes of the mundane moments which would otherwise be forgotten. I drew peculiar moments from new meetings and bad dates, quotes from new friends, images on the subway, anything that would spark curiosity in me.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
Fortunately, I don’t rely on drawing for income, so any challenges or obstacles are nominal…

Appreciate you sharing that. What else should we know about what you do?
I work full time as an architectural designer and moonlight as an illustrator. I illustrate my own thoughts, feeling and experiences, dream diaries, observations. The drawings I make are more like a diary for myself and it still fascinates me when other people strongly relate to them. I think having no formal training in illustration is obvious, which may also set my work apart from other graphic art professionals.

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