Meet Daniella Algarate of Culver City

Today we’d like to introduce you to Daniella Algarate

Hi Daniella, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I began my artistic journey working with textile mediums, with a focus on weaving during my undergraduate studies at the School of the Art Institute of Chicago. At the time, I envisioned my career evolving within this medium, exploring its potential in a more concept based framework. But decided to transition towards metal as a primary medium after establishing a metal fabrication studio (GAD Art and Fabrication) with my father and brother as that was more available to me compared to fibers.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
I’d say it’s been quite difficult. There’s a kind of saturation in the art world that is unavoidable especially in LA. LA is an important city to be in if you are trying to make it out as any type of creative in the world but it definitely presents many challenges. Like many emerging artists, I found it challenging to break into the contemporary art scene after graduating. Before opening a metal fabrication studio, I worked various jobs, many of which provided some exposure to the industry but did not lead to any significant career progression. It hasn’t always been a challenge though; I have been introduced to many opportunities through the metal fabrication studio I run. Currently, I am represented by Rhett Baruch Gallery, a Los Angeles-based art gallery, where I am dedicated to building a professional relationship.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
My primary choice of medium is metal – I generally work with red metals (copper, bronze, brass) and wood. Metal allows me to investigate ideas through the experimental effects various techniques and outside elements have on metal surfaces. Each section is created by using different processes – patina, bending, etching, hammering, and polishing. I aim to highlight the contrasting elements of smooth reflective layers, implied textures, and three dimensional components. Dynamic imagery and colors that emerge from these reactions allows me to challenge conventional material perceptions while still embracing traditional patina methods.

What’s next?
I don’t have any plans for my future as of yet. But generally, I am simply grateful for the opportunity to focus on my creative work, and should it lead to something further, I would be just as happy.

Contact Info:

• Website: https://www.dalgarate.com
• Instagram: https://www.instagram.com/d.algarate/

Image Credits
Patty Sanchez
Junn Bollman
Daniella Algarate