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Daily Inspiration: Meet James Peterson

Today we’d like to introduce you to James Peterson.

Hi James, we’d love for you to start by introducing yourself.
I was born in Michigan and grew up in the lush nature of forests and the Great Lakes. Early on, I was deeply inspired by art and science fiction films, finding comfort alone in my sketchbooks.

I was fortunate to have earned a scholarship to Kendall College of Art & Design, exploring design, illustration, and art history. After graduating, I had no idea how to use that education to survive, so I went back to my childhood dreams and moved to Los Angeles to pursue a career in visual effects. I ended up working as a fabricator on films like The Fifth Element and other incredible films.

The experience was phenomenal. I learned so much not only in how to make things, how to problem solve, how to communicate and lead but the real power of teamwork. That voyage also connected me with community and led me to explore Burning Man, where I was introduced to large-scale sculpture and experienced a creative awakening.

Around this time, I took a position working and teaching at the Southern California Institute of Architecture (SCI-Arc), where I learned a great deal about digital fabrication, teaching, and management. There, I found amazing mentors, built a sculpture collective, started hosting art events, and took on lower-budget public art opportunities. This was a time when I dove into my creativity, and I definitely found my joy in the space of public art making.

All of this momentum apexed when my son was born, and the gallery collective I was a part of offered me a solo show. This opportunity allowed me to create work that really served as a catalyst for my growth and opened doors for me as an artist. I was able to travel the world and exhibit my work internationally, which eventually led to an opportunity to create a large kinetic sculpture for Coachella Music & Arts Festival in 2014.

At this point, I was all in and left my “job” to become a full-time artist. I began to explore collaborative projects, managing various art fabrication projects, taking on private commissions, working with architects, and constantly learning through it all. It’s been a long path of hustling, building community, and creating work that brings joy.

We all face challenges, but looking back would you describe it as a relatively smooth road?
It has been a journey for sure. I have enjoyed the process and have learned so much! There have been challenges, not only on the creative side, but also on the business side of things. I would call them growing pains: On the creative side, it is learning to control my enthusiasm to stay within the budget of the project. On the business side, it is learning how to delegate, manage finances, have more contingency for all sorts of unknowns (tariffs, engineering complications, fluctuations in material costs, etc). Then there is the matter of balancing work and personal life, so that my family remains a priority. There are many different factors in being an artist and striving to make a living in Los Angeles. But ultimately, I am beyond grateful for my life and what is unfolding.

Can you tell our readers more about what you do and what you think sets you apart from others?
I am an artist who specializes in large-scale, site-specific public art. My designs are based on geometric abstractions of nature and often incorporate interactive elements, colorful dichroic materials, dynamic metalwork, and mechanical motifs.

Grounded in mathematics and pattern, my designs mirror how nature grows and develops. I see my work as visual storytelling, approaching each sculpture with the hope of creating a dialogue on our natural realms and sustainability.

Local communities also play a central role in my work. My sculptures create a space where people reflect, play, and interact with both the art and each other. They are meant to serve a community.

I am most proud of the team I have built over the last decade or so. The mantra I heard once that I try to live by is: If you want to go fast, go alone. If you want to go far, go together. Throughout this crazy journey of life, the universe has definitely provided and awarded me amazing people whom I am proud to call my team!

This year, we had our busiest year yet, installing 5 major sculptural works throughout the country – in New York, Idaho, Iowa, and two in Colorado.

Any big plans?
I continue to seek and apply to public art opportunities that are aligned with my style and ethos. I have a project for the Denver Zoo and other exciting installations planned in the next few years. I am also looking to expand into more opportunities for creating artwork that could be part of botanical garden exhibits. The biggest change this next year is spacing out projects and incorporating new systems to manage my projects and work-life balance better.

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