Today we’d like to introduce you to Hansen Lin
Hi Hansen, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
There was a time when smartphones first became popular, and I loved using the camera to capture fun moments and my friends. For me, it was a way to record memories and observe others’ lives. When we graduated, while everyone else was writing in each other’s yearbooks, I shared photos and videos, bringing those memories to life.
I didn’t initially pursue photography as a serious career. When I got to my undergraduate studies, I chose to study economics. I noticed the repetitive nature of the work and wanted to enrich my life in different ways. My friends and I pooled our money to buy a camera, and that was the start of my professional photography journey. It was a way to express how I see the world, what excites me, and what moves me emotionally. This exploration introduced me to many works in photography, film, and other visual arts, and I got involved in campus theater and scriptwriting activities.
When I graduated, I faced the choice of working in finance or pursuing further studies. I made a short film to apply to American schools to study film production. Now, I’m an independent filmmaker and producer in the U.S., working on my feature-length documentary, “Queens Ballroom,” which explores the experiences and life choices of Asian American seniors in the world of dance. Another film I’m producing now called “Always,” is nearing completion. It’s about a young poet in the rural mountains in Chian expressing their growth experiences through poetry. Both films are strong in visual storytelling, and I aim to create more films like these.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
As a visual artist, finding our own voice and visual language has been a long journey. It wasn’t smooth when I pursued this path initially. You often feel everything has already been done, and without much support, you might question the feasibility of your voice and practice. It takes time to build confidence and strengthen your belief in your creations.
For instance, the project now in post-production involves working with a young creative director who has many great visual ideas and a sensitive observation of the world. It was challenging to shape his vision and convince others of its worth. We faced numerous rejections when seeking funding or workshops; I remember feedback suggesting our work belonged in an art gallery rather than a cinema. We doubted ourselves until we garnered more recognition and support from those who believed in our vision.
As a producer, my role is to find the core value of different ideas and get to the emotional truths that resonate deeply with people. This authenticity in our voice touched many, especially other artists. When we see our initial intentions clearly and accept who we are, we create works that move hearts.
Appreciate you sharing that. What else should we know about what you do?
As a filmmaker, although I studied documentary filmmaking, I am very open to exploring different creative fields. I believe they are all ways to express my creativity. In various projects, I often take on multiple roles, such as director, producer, cinematographer, and editor.
Even though I mostly work as a director, producer, and cinematographer, each role has different responsibilities. However, they all require a keen visual sense and strong execution skills. People often recognize my high level of skill in these areas. For example, in my recent projects “Always” and “Queens Ballroom,” we were selected by platforms like Cannes Docs, Doc by the Sea, and IDFA Forum. These diverse international platforms showcase creative backgrounds, highlighting the unique perspectives and expressions of each creator.
Growing up in China and studying film in the U.S. has allowed me to combine the strengths of both cultures, giving Chinese stories a more international resonance. I am very keen on continuing to develop in this area.
We’d be interested to hear your thoughts on luck and what role, if any, you feel it’s played for you?
I believe the luckiest aspect of being in this industry is meeting people willing to help you and work with you to bring ideas to life. Even though I’m young, having opportunities and mentors who allow you to learn from mistakes is invaluable. I consider myself quite fortunate.
After graduating, my first internship was with an experienced director on a feature film. I knew I was lacking experience, but I stayed up all night to compile my resume and portfolio to make them as strong as possible and send them out quickly. Finally, I got the offer. While working with the team, I earned more and more trust after different tasks, taking on more responsibility in moving the project forward.
I’m grateful for that internship. It taught me how accomplished filmmakers work and lead teams, and it solidified my belief in the social significance of documentary filmmaking. Our work can give a voice to overlooked communities. I hope to pass on this energy to other young filmmakers in need of guidance.
Contact Info:
- Website: https://hansenlinfilm.com/
- Instagram: https://www.instagram.com/hansench96/?hl=en
