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Check out Tara Mozafarian’s Artwork

Today we’d like to introduce you to Tara Mozafarian.

Tara, we’d love to hear your story and how you got to where you are today both personally and as an artist.
For as long as I remember, I always had two dreams, to become a recognized artist, and to make a positive impact on our planet Earth.  My love to art became apparent at the early age of three or four.  At that early age, I also had one sense from deep within, at some level I knew I was from God…I somehow knew that God had placed me in the household that was my family.  Interestingly, in my late teenage years, I completely lost my belief in God.

As a young girl, I was always doing things with my hands and playing with anything that was handy, whether a piece of orange peel, a couple of pins and a piece of thread, or beeswax…I would turn these into figures, objects, or interesting designs.  In grade school, there was no empty margin around my text books, those margins were a convenient surface for doodling.  One of my favorite practices was drawing caricatures of my teachers during the class…and my classmates had a lot of fun seeing them at recess.  In spite of all the love that I had for art, I couldn’t pursue my love because of family and societal limitations.  Later, following graduating with a B.A. in Sociology, I moved to Los Angeles, where I obtained a degree in MBA.

My twenties passed going to college, getting married and having two beautiful children.  During my thirties, responding to the call of my real love, I began studying art, taking classes at different local colleges.  I began my forties by opening my studio/gallery in Woodland Hills, where I created art, taught art, held art workshops for independent/professional artists, showed my artwork, and held group art shows.  Since 1996, this space, called Tara’s Gallery, has been a sanctuary for many artists and art lovers.

We’d love to hear more about your art. What do you do you do and why and what do you hope others will take away from your work?
My art has constantly evolved, ranging from decorative art, to surrealism, to abstract expressionism, and now to mixed media, primarily with copper.

The influence of my background, descending from a rich Persian culture, in addition to a family of jewelers, revealed itself in my earliest series of work.  My paintings from this era often have a decorative quality and a sense of pattern.

The messages emerging in my next series of works, the Venus series, emanated from my inner voice, a voice which speaks in the form of ‘questions’ rather than ‘answers’, reflecting my journey to find the meaning of life.  I, often subconsciously, have left the center of my canvas empty, mirroring the unknown.  These paintings have an undertone of symbolism, with a suggestion of historical mystery, creating multi-leveled views of reality.  Works in this series blend traditional Eastern soul with the Western mystery of abstraction.

At the turn of the century, living through the sudden shock and tragic changes on the planet, my paintings shifted more towards the world outside of myself, revealing different issues of humanity such as pain, suffering, tragedy, and altogether reflecting the intense negativity around the earth.

A sudden shift in my perception was sparked by a spiritual friend when she opened my eyes to the truth that “we are emanating what we are experiencing” …that’s when I realized if I’m painting negative subjects, I am actually promoting negativity.  With this altered perception my next bodies of work began.  I came full circle, returning to my inner self, however, this time at peace with myself and the world around me, as if it did not matter what the ‘answer’ was.  My focus on this series has been on concepts such as movement, change, and expansion, and the experience of living life thoroughly.  With the acceptance of the mystery, I had come to see the further unfolding of my life journey.

Reflecting a positive energy, creating these series of work polished my soul.  While I was creating my copper wall pieces and installations, having a Zen-like approach to do the repetitive physical work of making multiple pieces of art, worked as a meditation process and took me to a more expanded level of consciousness.  And I felt more connected to all existence.

Along with the expansion of my consciousness, my fifties began with a series of life-threatening health challenges.  With every health challenge, starting with cancer, some miracles unfolded and protected me.  Every time that I went through a new hardship and another miracle saved my life, I got to a yet deeper level of awareness.  I became connected to a higher level of consciousness and reunited with my God.  As my path kept opening, an amazing spiritual teaching came along my way.  Through this teaching, I found the ‘answer’ to all my ‘questions’, the mysteries of the unknown were resolved and lit up my path.  During the last seven years, I’ve been collecting, translating, and organizing the material related to this teaching; simultaneously, I hold classes at my studio to share this amazing teaching with others.

Since my spiritual endeavor began, there has been an enchanting dance between my art and my spiritual journey…my art took me to a deeper level of awareness and my spiritual experiences took my art to a different depth…they have been feeding and evolving from one another.

I am presently working on two different series: the ‘Mixed Media’ and the ‘Alchemical’.  Although I use the common metal ‘copper’ in both of these series, each one is distinctively different and unique.

The Mixed Media series incorporates unconventional material to complement copper.  Copper is unpredictable and full of surprises.  When I work with copper, it feels as if it is alive and has its own intelligence, and I often allow the piece to guide me.  The influence of my background and the sense of pattern is revealing itself in this series again.

The Alchemical series, on the other hand, is comprised of copper with acrylic glass and paint.  Pieces in this series keep evolving over time, before they reach their final form. This process can take anywhere from a few weeks, up to a few years.  When I pay close attention, I realize that the process of maturing and evolving of these pieces happens in a certain direction.  The diptychs and triptychs within each piece seem to respond along with a composition that seems to come from outside of me.  In each triptych something happens to take all three pieces in a different direction, usually, the change comes with a new color.  In other words, it appears as if these pieces are being affected by consciousness…it feels like they continue to transform under the guidance of Divine Intelligence.

The techniques I implement are self-discovered through dedication to my art and the careful mastery of my process over many years.

Artists face many challenges, but what do you feel is the most pressing among them?
I think one of the most important challenges of the artists today is not having enough support…we need to have more art lovers and art collectors. After all, art or creativity is the window to our soul…the more art and artist, the healthier the society!

Do you have any events or exhibitions coming up? Where would one go to see more of your work? How can people support you and your artwork?
Tara’s Gallery
Ventura Blvd, #118
Woodland Hills, CA 91364

818.634.6321
tara@taranehmozafarian.com
taranehmozafarian.com

Contemporary Fine Art Gallery
7946 Ivanhoe Ave
La Jolla, CA. 92037
858.551.2010

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Getting in touch: VoyageLA is built on recommendations from the community; it’s how we uncover hidden gems, so if you know someone who deserves recognition please let us know here.

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