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Life & Work with Haibei Wang

Today we’d like to introduce you to Haibei Wang.

Hi Haibei, so excited to have you with us today. What can you tell us about your story?
I began playing the piano at the age of six and quickly developed a love for music. My piano teacher noticed my tendency to improvise when I stumbled on a piece and suggested to my mother that I try composition lessons. This marked the start of my journey as a composer.

I spent several years at the Shanghai Conservatory of Music, where I honed my skills in concert music. However, I gradually realized that my true passion lay in using music to tell stories. This realization brought me to the United States, where I pursued my dream of becoming a film and multimedia composer. Looking back, I’m grateful for the early encouragement from my teacher and the opportunities that have come my way. I’m excited to continue growing as a composer and exploring new ways to connect with audiences through music.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
No, it hasn’t been a smooth road, but I’ve learned a lot along the way. One of the biggest lessons I’ve learned is that collaboration is key to success. However, successful collaboration is not always easy.

As a composer, effective communication with my film director is critical. I have to watch the movie carefully, find the inspiration for the music score, and interpret the director’s guidance. It’s not about communicating musically with the film team but about translating the language of filmmaking and storytelling into music.

Sometimes, communication can be a fun and exciting part of my job, but at other times, it can be challenging. Misunderstandings can happen, and it can take time and effort to work through them. However, I believe that the effort is worth it, as it ultimately leads to a better film.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I specialize in composing music for a range of media, including films, immersive exhibits, and now video games.

While film scoring is more about linear writing and emotionally-driven music, I find that video game music requires both linear and horizontal writing, as well as a logistical focus. When I’m composing a piece of music for a video game, I have to consider that the player may not progress through the game at the same pace as the music. For example, a battle cue may need to work in multiple conditions, depending on the player’s performance. This requires careful planning and attention to detail, almost like putting a big puzzle together.

What sets me apart from others is my ability to blend different musical styles and techniques to create unique soundscapes that capture the essence of a story or game. I’m excited to continue exploring new opportunities in the video game industry and to push the boundaries of what’s possible with interactive music.

What were you like growing up?
As a composer, my work can be quite isolating, so I try to balance it with outdoor activities like snowboarding and traveling. Traveling allows me to explore new places, experience different cultures, and appreciate the beauty of nature. It’s a great way to recharge my creative batteries and find inspiration for my music. Similarly, engaging in outdoor activities helps me clear my mind and stay energized.

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Image Credits
Zhen Qin, Charlene Xu

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