We’re looking forward to introducing you to Dianna Ippolito. Check out our conversation below.
Hi Dianna, thank you so much for taking time out of your busy day to share your story, experiences and insights with our readers. Let’s jump right in with an interesting one: What is a normal day like for you right now?
I usually start my day with a cup of coffee and a short walk around the block with my dog Coco. Then I jump on my computer, return a few emails, and dive right into my screenwriting. For the past few months I have been working on polishing my latest feature drama called The Two of US, a true story inspired by the first brothers who transitioned to women in the early 1970s. Now I am working on outlining a new story about Robert Kennedy Jr. that is also based on true events. I like to get started on my writing early, take a brief hour or so for lunch and then go all day until about five-ish. I don’t usually have a problem with writer’s block, because I have so many stories inside my head, so it’s just a matter of keeping my head down, and putting the time in.
Can you briefly introduce yourself and share what makes you or your brand unique?
I like to write coming-of-age stories and screenplays based on true events. My characters are usually just trying to do the right thing, even when it costs them something. I’ve written several coming-of-age films and biopics, and I’m always exploring themes of identity, justice, and that quiet kind of strength people find in uncertain moments. I’m drawn to these stories because they reflect the questions I’m always asking myself about who we are, what we stand for, and how we find our way when there’s no clear path.
Appreciate your sharing that. Let’s talk about your life, growing up and some of topics and learnings around that. What was your earliest memory of feeling powerful?
I would say in terms of screenwriting, it was when I had my first big meeting with a production company on a Hollywood lot. I was quite nervous, but I knew the producer liked my screenplay so that was a good start. We started to dig into the story and a few suggestions were tossed out for changes that I didn’t agree with, I was able to challenge the notes I had been given, and felt very confident because I knew the topic so well, and that helped me to stand my ground, which in turn made me feel very powerful. I didn’t just say “okay no problem.”. I was open to other suggestions, and happy to get the feedback, but just knowing that I had it in me not to cave, really helped me to maintain the integrity of my own story.
Was there ever a time you almost gave up?
Yes, many times. The film industry is not an easy profession to get into. Most of the time your fate is not in your own hands, and that’s a tough lesson to learn. I remember having one of my scripts get a lot of attention, and things seemed to be moving in the right direction for financing, and getting the project off the ground, but then everything fell apart and the project just died. This has happened so many times, which is just part of the way things work in this industry. It’s definitely tough on the soul and tough on one’s faith. But then I remember why it is that I began writing and directing in the first place and I brush myself off, roll up my sleeves, and I keep going.
Next, maybe we can discuss some of your foundational philosophies and views? What would your closest friends say really matters to you?
That’s easy. Being able to tell stories. I am first and foremost an artist, so my life centers around my creative vision. When I was young, I started off wanting to paint, and then I became interested in photography, and subsequently turned to writing. But through all of those stages, I was committed to telling a story — in images, and then in words. I think it goes back to the feeling of wonder I had as a child watching movies, and wanting to achieve that same sense in my own work. Films can leave a lasting impression on you, and that has always been such a draw for me. They can shape you, and have the power to move you emotionally, and that’s very important to me.
The other thing I think others would say is that I love to laugh. That spills over into my work as well. Currently I am working on a new comedy script called “Mafia Daddies” and it has the tone of two films I love — “My Cousin Vinny” and “Adventures in Babysitting.” I love sitting at my computer and giggling as I write. I just directed a short film/proof of concept for it, and we already won best comedy at the New York Movie Awards which was a thrill.
Before we go, we’d love to hear your thoughts on some longer-run, legacy type questions. What is the story you hope people tell about you when you’re gone?
I would love it if people were to say that I was 100 percent committed to my craft, and that despite all the ups and downs and moments of uncertainty, that I never gave up, and ultimately achieved my dreams. Luckily, I have been able to see my scripts come to life on screen, and that has been such a thrill. To know that I achieved something that is not easy, makes me feel proud, and I hope that is what lingers in people’s minds about me. That I had the tenacity to keep going for that big win.
Contact Info:
- Instagram: https://www.instagram.com/itsallhappeningfilms
- Twitter: https://x.com/DiannasEye
- Facebook: https://www.facebook.com/dianna.ippolito/
- Other: https://vimeo.com/user8936115
Image Credits
(for image of two men sitting on bench) Actors Yanis Kalnins and Sal Landi in Mafia Daddies.
For the poster of several actors from left to right: Actress Susan Lavelle, Jennifer Collins, Liz Mina, Jeff LeBeau, Sal Landi and Yanis Kalnins.
